Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
tale of guests with "Plautus, Menander, Kalidasa." M. Nissim Bernard,
cut to the quick, stopped short in his reminiscence, and, ascetically
depriving himself of a great pleasure, remained silent until the end of
dinner.
"Saint-Loup with helm of bronze," said Bloch, "have a piece more of this
duck with thighs heavy with fat, over which the illustrious sacrificer
of birds has spilled numerous libations of red wine."
As a rule, after bringing out from his store for the entertainment of a
distinguished guest his anecdotes of Sir Rufus Israels and others, M.
Bloch, feeling that he had succeeded in touching and melting his son's
heart, would withdraw, so as not to spoil his effect in the eyes of the
"big pot". If, however, there was an absolutely compelling reason, as
for instance on the night when his son won his fellowship, M. Bloch
would add to the usual string of anecdotes the following ironical
reflexion which he ordinarily reserved for his own personal friends, so
that young Bloch was extremely proud to see it produced for his: "The
Government have acted unpardonably. They have forgotten to consult M.
Coquelin! M. Coquelin has let it be known that he is displeased." (M.
Bloch prided himself on being a reactionary, with a contempt for
theatrical people.)
But the misses Bloch and their brother reddened to the tips of their
ears, so much impressed were they when Bloch senior, to shew that he
could be regal to the last in his entertainment of his son's two
'chums', gave the order for champagne to be served, and announced
casually that, as a treat for us, he had taken three stalls for the
performance which a company from the Opéra-Comique was giving that
evening at the Casino. He was sorry that he had not been able to get a
box. They had all been taken. However, he had often been in the boxes,
and really one saw and heard better down by the orchestra. All very
well, only, if the defect of his son, that is to say the defect which
his son believed to be invisible to other people, was coarseness, the
father's was avarice. And so it was in a decanter that we were served
with, under the name of champagne, a light sparkling wine, while under
that of orchestra stalls he had taken three in the pit, which cost half
as much, miraculously persuaded by the divine intervention of his defect
that neither at table nor in the theatre (where the boxes were all
empty) would the defect be noticed. When M. Bloch had let us moisten our
lips in the flat glasses which his son dignified with the style and tide
of "craters with deeply hollowed flanks", he made us admire a picture to
which he was so much attached that he had brought it with him to Balbec.
He told us that it was a Rubens. Saint-Loup asked innocently if it was
signed. M. Bloch replied, blushing, that he had had the signature cut
off to make it fit the frame, but that it made no difference, as he had
no intention of selling the picture. Then he hurriedly bade us good
Public-domain text, read in full here on John Shaqi.
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