Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
When Mme. Swann had returned to her visitors, we could still hear her
talking and laughing, for even with only two people in the room, and as
though she had to cope with all the "good friends" at once, she would
raise her voice, ejaculate her words, as she had so often in the "little
clan" heard its "Mistress" do, at the moments when she "led the
conversation". The expressions which we have borrowed from other people
being those which, for a time at least, we are fondest of using, Mme.
Swann used to select at one time those which she had learned from
distinguished people whom her husband had not managed to prevent her
from getting to know (it was from them that she derived the mannerism
which consists in suppressing the article or demonstrative pronoun, in
French, before an adjective qualifying a person's name), at another time
others more plebeian (such as "It's a mere nothing!" the favourite
expression of one of her friends), and used to make room for them in all
the stories which, by a habit formed among the "little clan", she loved
to tell about people. She would follow these up automatically with, "I
do love that story!" or "Do admit, it's a very _good_ story!" which came
to her, through her husband, from the Guermantes, whom she did not know.
Mme. Swann had left the dining-room, but her husband, who had just
returned home, made his appearance among us in turn. "Do you know if
your mother is alone, Gilberte?" "No, Papa, she has still some people."
"What, still? At seven o'clock! It's appalling! The poor woman must be
absolutely dead. It's odious." (At home I had always heard the first
syllable of this word pronounced with a long 'o', like "ode", but M. and
Mme. Swann made it short, as in "odd".) "Just think of it; ever since
two o'clock this afternoon!" he went on, turning to me. "And Camille
tells me that between four and five he let in at least a dozen people.
Did I say a dozen? I believe he told me fourteen. No, a dozen; I don't
remember. When I came home I had quite forgotten it was her 'day', and
when I saw all those carriages outside the door I thought there must be
a wedding in the house. And just now, while I've been in the library for
a minute, the bell has never stopped ringing; upon my word, it's given
me quite a headache. And are there a lot of them in there still?" "No;
only two." "Who are they, do you know?" "Mme. Cottard and Mme.
Bontemps." "Oh! the wife of the Chief Secretary to the Minister of
Posts." "I know her husband's a clerk in some Ministry or other, but I
don't know what he does." Gilberte assumed a babyish manner.
"What's that? You silly child, you talk as if you were two years old.
What do you mean; 'a clerk in some Ministry or other' indeed! He is
nothing less than Chief Secretary, chief of the whole show, and what's
more--what on earth am I thinking of? Upon my word, I'm getting as
stupid as yourself; he is not the Chief Secretary, he's the Permanent
Secretary."
Public-domain text, read in full here on John Shaqi.
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