Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
I had sat down, but I rose hurriedly on hearing the door opened; it was
only another footman, and then a third, and the minute result that their
vainly alarming entrances and exits achieved was to put a little more
coal on the fire or water in the vases. They departed, I found myself
alone, once that door was shut which Mme. Swann was surely soon going to
open. Of a truth, I should have been less ill at ease in a magician's
cave than in this little waiting-room where the fire appeared to me to
be performing alchemical transmutations as in Klingsor's laboratory.
Footsteps sounded afresh, I did not rise, it was sure to be just another
footman; it was M. Swann. "What! All by yourself? What is one to do;
that poor wife of mine has never been able to remember what time means!
Ten minutes to one. She gets later every day. And you'll see, she will
come sailing in without the least hurry, and imagine she's in heaps of
time." And as he was still subject to neuritis, and as he was becoming a
trifle ridiculous, the fact of possessing so unpunctual a wife, who came
in so late from the Bois, forgot everything at her dressmaker's and was
never in time for luncheon made Swann anxious for his digestion but
flattered his self-esteem.
He shewed me his latest acquisitions and explained their interest to me,
but my emotion, added to the unfamiliarity of being still without food
at this hour, sweeping through my mind left it void, so that while able
to speak I was incapable of hearing. Anyhow, so far as the works of art
in Swann's possession were concerned, it was enough for me that they
were contained in his house, formed a part there of the delicious hour
that preceded luncheon. The Gioconda herself might have appeared there
without giving me any more pleasure than one of Mme. Swann's indoor
gowns, or her scent bottles.
I continued to wait, alone or with Swann, and often with Gilberte, come
in to keep us company. The arrival of Mme. Swann, prepared for me by all
those majestic apparitions, must (so it seemed to me) be something truly
immense. I strained my ears to catch the slightest sound. But one never
finds quite as high as one has been expecting a cathedral, a wave in a
storm, a dancer's leap in the air; after those liveried footmen,
suggesting the chorus whose processional entry upon the stage leads up
to and at the same time diminishes the final appearance of the queen,
Mme. Swann, creeping furtively in, with a little otter-skin coat, her
veil lowered to cover a nose pink-tipped by the cold, did not fulfil the
promises lavished, while I had been waiting, upon my imagination.
But if she had stayed at home all morning, when she arrived in the
drawing-room it would be clad in a wrapper of _crêpe-de-Chine_,
brightly coloured, which seemed to me more exquisite than any of her
dresses.
Public-domain text, read in full here on John Shaqi.
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