Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New YorkOsborne, Thomas Mott
History
Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New York
Osborne, Thomas Mott
Auburn Prison; Prisoners -- New York (State); Prisons -- New York (State)
After this decision I feel somewhat better. Turning to the locker, I find
a piece of paper with the few notes I scrawled yesterday noon. I had
expected to revise and arrange them this morning. I may as well try to fix
the thing up somehow. But I can do nothing but stare helplessly at the
paper; my brain refuses to work. My stupidity finally annoys me so much
that I shove the piece of paper into my pocket, and make up my mind not to
bother any more about the matter.
One or two of the trusties, passing along the gallery, stop to chat. They
all seem to look at me as one might at a person who has been restored to
life from the dead. I'm sure I feel so. I have always wondered how Dante
must have felt after he had visited the Inferno. I think I know now.
There are footsteps along the corridors and galleries; it is the noise
made by good Catholics returning from Mass. It seems that I could have
gone myself had I known of the service. I am sorry I did not; perhaps it
would have helped me to forget.
Soon the summons to chapel comes, and in single file we march upstairs and
into the large assembly room, which is on the second story, immediately
above the mess-hall. Here our company has seats on the right of the main
aisle about two-thirds of the way to the platform. Row after row of men
take their seats, until the large room is entirely filled with silent,
motionless, gray figures. I do not see those sitting behind, I only hear
them, for like the rest I stare straight in front of me.
Then I hear the sound of hand-clapping; and when I can see without turning
my head, I join in the applause that greets the Chaplain and an organist
and quartet of singers from one of the Auburn churches. As some of them
are my personal friends, I can not help wishing that they had not chosen
this particular Sunday to sing here.
In vain I try to fasten my attention upon the service, I can only follow
my own thoughts. It is but one short week since I occupied a seat upon
that same platform, and that short week has altered the whole tenor of my
life. It can never be the same again that it has been. Whether I wish it
or not, a bond of union has been forged between these men and me which can
never be broken. I have actually lived their life, even if for only a
short period of time; I have been made one of the gray brotherhood--for
they have received me as a brother; and I have realized their sufferings
because in a very small degree I have shared them.
But at the present moment what am I to do? When I am called up to the
platform, as I soon shall be, what shall I say to these men? I must not
speak of the jail; but how can I help speaking of it? It is the one thing
that just now dominates my mind.
The singing is beautiful and restful. I could enjoy it were it not for
this terrible feeling of oppression at my head and heart. Finally the
critical moment arrives. The Chaplain advances to the front of the stage.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account