Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New YorkOsborne, Thomas Mott
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Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New York
Osborne, Thomas Mott
Auburn Prison; Prisoners -- New York (State); Prisons -- New York (State)
In the vaulted room outside there are two windows, one at either end,
north and south. But so little light comes through these windows that
except at midday on a bright, sunny day, if you wish to see the inside of
the cells after the doors are opened you must use the electric light.
There are two of these and each is fastened to a long cord, so that it can
be carried to the farthest of the eight cells. At the south end of the
room is a toilet seat, and a sink with running water where the supply for
the prisoners is drawn. Up to the time of Superintendent Riley's and
Warden Rattigan's coming into office, the supply of water for each
prisoner was limited to ONE GILL FOR TWENTY-FOUR HOURS!
The sink was not used for the prisoners to wash, for the simple reason
that the prisoners in the jail were _not allowed to wash_.
Other peculiarities of the jail system will be made clear in the next
chapter.
CHAPTER XIII
A NIGHT IN HELL
As Captain Martin and I traverse the long stone passage leading from his
office to the death chamber, I listen intently to catch any sound from the
jail, for I am wondering whether or not I shall have any companions in
misery; but nothing can be heard. Even when the Captain unlocks and opens
the door on the right at the end of the passage and I step into the
dungeon, there is no indication of any other inhabitants. Except for our
own movements the silence is complete, although there is a peculiar
reverberation of the vaulted roof which reechoes every sound we make. I am
aware of a sort of uncanny feeling about the place, as though there were
some sort of living creature--man, ape, or devil--in every cell, with his
face close to the bars, peering through and holding his breath.
The Captain, going to a locker which is at his left, backing against the
iron wall of the first cell, opens it and takes out a shirt, trousers,
coat, cap, and a pair of felt shoes.
"Take off your clothes and put these on," he says briefly.
I take the clothes as he hands them to me and place them upon a bench at
my right, where I also sit and proceed to make the required change. If
these are the clothes which have been carefully washed and cleaned for me,
I should like to examine--at a safe distance--the ordinary ones. They must
be filthy beyond words. And I suppose no one but a prisoner ever wonders
or cares about the condition of the last man who wore them.
I take off my gray uniform, shirt and shoes, and as I stand in my
underclothes the Captain feels me all over from head to toes to find out
whether I have concealed about me a weapon or instrument of any kind. I
presume the idea is to guard against suicide.
Public-domain text, read in full here on John Shaqi.
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