It was Mr. Ashford again who came to Lottie’s aid. “Play something else first,” he said softly to the Signor, disregarding the anxious looks of Rollo, who had placed himself on a chair at a little distance, so that he might be able to see the singer and stop any false note that might be coming before it appeared. The others were both kind and clever, kinder than the man whom Lottie thought her lover, and whose anxiety for the moment took all thought from him, and more clever too. The Signor began to play Handel, the serious noble music with which Lottie had grown familiar in the Abbey, and soon Mr. Ashford stepped in and sang in his beautiful melodious voice. Then the strain changed, preluding a song which the most angelic of the choristers had sung that morning. The Minor Canon put the music into Lottie’s hands. “Begin here,” he whispered. She knew it by ear and by heart, and the paper trembled in her hands; but they made her forget herself, and she began, her voice thrilling and trembling, awe and wonder taking possession of her. She had heard it often, but she had never realised what it was till, all human, womanish, shivering with excitement and emotion, she began to sing. It did not seem her own doing at all. The dim drawing-room, with the Dean reading the paper, the men in their evening coats, the glimmering reflection of herself which she caught in the long mirror, in her simple decorations, the roses trembling in her hair, all seemed horribly inappropriate, almost profane, to Lottie. And the music shook in her hands, and the notes, instead of remaining steadily before her eyes, where she could read them, took wings to themselves and floated about, now here, now there, sometimes gleaming upon her, sometimes eluding her. Yet she sang, she could not tell how, forgetting everything, though she saw and felt everything, in a passion, in an inspiration, penetrated through and through by the music and the poetry, and the sacredness, above her and all of them. “I know that my Redeemer liveth.” Oh, how did she dare to sing it, how could those commonplace walls enclose it, those men stand and listen as if it was _her_ they were listening to? By and by the Dean laid down his paper. Rollo, in the background, gazing on her at first in pale anxiety, then with vexed disapproval (for what did he want with Handel?), came nearer and nearer, his face catching some reflection of hers as she went on. And when Lottie ended, in a rapture she could not explain or understand, they all came pressing round her, dim and blurred figures in her confused eyes. But the girl was too greatly strained to bear their approach or hear what they said. She broke away from them, and rushed, scarcely knowing what she did, to Lady Caroline’s side. Lady Caroline herself was roused. She made room for the trembling creature, and Lottie threw herself into the corner of the capacious sofa and covered her face with her hands.