England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
It was not only in the mind of young Purcell that Lottie’s circumstances
and prospects were the subject of thought. Rollo Ridsdale had not
watched and worshipped as the young musician had done. Nor had he, even
on his first introduction to her, looked upon Lottie as anything but the
possessor of a beautiful voice, of which use might be made, for her
benefit no doubt in the long run, but primarily for his own. She was not
a divinity; she was not even a woman; she was a valuable stock-in-trade,
a most important implement with which to work. Rollo had gone through a
very effectual training in this kind. He had run through the little
money he possessed so soon, and had learned the use of his wits so
early, that the most energetic of tradesmen was not more alive to all
the charms of gain than he. The means, perhaps, may be of a different
kind, but it does not very much matter in principle whether a man is
trained to sharp bargains in bric-à-brac or in cotton bales; and it is
not essentially a loftier trade to speculate in pictures and china than
in shares and stocks. This young aristocrat had kept his eyes very wide
open to anything that might come in his way. He was not a director of
companies chiefly because his poor little Honourable was not a
sufficiently valuable possession to be traded upon, though it had some
small value pecuniarily. Lord Courtland himself might indeed have made a
few hundreds a year out of his title, but to his second son the name was
not worth so much. It secured him some advantages. It gave him the
_entrée_ to places where things were to be “picked up,” and it helped
him to puff and even to dispose of the wares which he might have in
hand. It kept him afloat; it ameliorated poverty; it took away all
objections to the sale and barter in which, profitably or unprofitably,
he spent so much of his life. Had he gone upon the Stock Exchange,
society might have made comments upon the strange necessity; but when
Rollo’s collection of _objets d’art_ was sold, nobody found anything to
object to in the transaction, which put a comfortable sum in his pocket,
and enabled him to go forth to fresh fields and pastures new; neither
was there anything unbecoming his nobility in the enterprise which he
had now in hand. Theatres are not generally a very flourishing branch of
commerce; yet it cannot be denied that those who ruin themselves by them
embark in the enterprise with as warm an inclination towards gain as any
shopkeeper could boast of. Rollo had thought of Lottie’s voice as
something quite distinct from any personality. It was a commodity he
would like to buy, as he would have liked to buy a picture, or anything
rare and beautiful, of which he could be sure that he would get more
than his own money for it. In that, as in other things, he would have
bought in the cheapest market and sold in the dearest. He would have
thought it only right and natural to secure at a low rate the early
services of a prima donna.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account