England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
It was an old litany, and Lottie thought as she listened
that she could hear an unseen choir in the far distance, high among the
grey pinnacles, on the edge of the clouds, intoning in intricate
delicate circles of harmony the responses. Was it the old monks? Was it
the angels? Who could tell? “Lottie, my love, that is the _vox humana_
stop,” said the kind old Captain, who knew something about it; and as
he, too, was no wiser than other people, he began to whisper an
explanation to her of how it was. But Lottie cared nothing about stops.
She could hear the solemn singers of the past quiring far off at some
unseen altar, the softened distant sweetness of the reply. Her heart
rose up into the great floating circling atmosphere of song. She seemed
to get breath again, to get rest to her soul: a strange impulse came
over her. She, who was so shy, so uncertain of her power, so bitterly
unwilling to adopt the trade that was being forced upon her: it was all
that she could do to keep herself from singing, joining to those
mystical spiritual voices her own that was full of life and youth. Her
breast swelled, her lips came apart, her voice all but escaped from her,
soaring into that celestial distance. All at once the strain stopped,
and she with it, coming down to the Abbey nave again, where she stood in
the midst of the dim reflected rubies and amethysts and silvery whites
of a great painted window, giddy and leaning upon the old Chevalier.
“It was the _vox humana_. It is too theatrical for my taste, my dear. It
was invented by----”
“Oh, hush, hush!” cried Lottie, under her breath; “he is beginning
again.”
This time it was the “Pastoral Symphony” the Signor played--music that
was never intended for the chill of winter, but for the gleaming stars,
the soft falling dews, the ineffable paleness and tenderness of spring.
It came upon Lottie like those same dews from heaven. She grasped the
old man’s arm, but she could not keep herself from the response which no
longer seemed to come back from any unseen and mystic shrine. Why should
the old monks come back to sing, or the angels have the trouble, who
have so much else to do, when Lottie was there? When the “Pastoral
Symphony” was over the Signor went on, and she with him. Surely there
must have been some secret understanding that no one knew of--not
themselves. He played on unconscious, and she lifted up her head to the
moonlight and her voice to heaven and sang--
There were shepherds watching their flocks by night.
Public-domain text, read in full here on John Shaqi.
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