But, if the community was thus stirred in general, words cannot tell the excitement that this strange incident created in the organ-loft. The Signor told Purcell after, that he could not tell what it was that made him go on when he had come to an end of the “Pastoral Symphony,” and play “There were Shepherds.” He had not meant to do it. He had intended to make the other the finale of his performance. There was such a feeling of night in it, the Signor said, the grass growing in the dark, and the stars shining, and the dew coming down. He meant to end there; he knew Mr. Ridsdale was a modern man and an opera man, and did not care so very much for Handel. Still he had meant to end with that; but when it came to the last chords he was not his own master, and he went on. As for Purcell, there was no need for anyone to tell him whose that voice was. Though he was at the moment helping to “blow,” he nearly compromised the whole performance by darting to the other side of the organ-loft and gazing down into the darkness to see her. Happily the other man who was there, the professional blower, was taken by no such vagaries and kept on steadily. “And I saw her,” Purcell said, “standing in the moonlight with all the colours of the rainbow about her, like the nimbus round the heads in Mr. Clayton’s new window.” The young fellow was quite struck by this sight. He thought it must mean something: he thought even she must be relenting towards himself, and had taken this strange way of showing it. The Signor was greatly moved too, but he did not take that view of the subject. He was a true artist himself, and he knew that there are impulses which get the better of people who are of this race. He patted his assistant on the arm, and told him not to build on it. But what then could it mean? young Purcell said; and it was difficult to answer. They both of them came down from their lofty gallery afterwards in great excitement, and the Signor, confused, received the enthusiastic thanks of his audience. “What a pleasure you have given us!” they said; “you have been better than your word. What exquisite playing, and what an exquisite voice! You don’t mean to say that was a boy, Signor?”--They asked the question, but they all believed, of course, that it was a boy. To think that little Rowley, because it was dark and nobody saw him, should have been able to sing like that! No one suspected the truth except Rollo Ridsdale, who came up to the musician in the dark nave and gripped him by the arm, so that he hurt the sensitive Italian-Englishman, whose nerves were all on the surface. “Did you do it on purpose?” Rollo cried, excited too--“I shall give up the opera and take to oratorios--did you do it on purpose?” “Did _you_ do it on purpose?” said the Signor, who up to this moment had supposed in his excitement that Ridsdale’s coming must have had something to do with it. But after that question, which Rollo did not