England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
“Are you working, Law? I hope you are working. Does Mr. Ashford think
you are getting on?” she would say. But these were not like the
energetic protests of old. And when Law answered that he was getting on
pretty well, but that old Ashford didn’t say much--it wasn’t his
way--Lottie accepted the reply, and asked no more questions. And Law
accordingly took “his fling,” being left free on all sides. Why
shouldn’t he take his fling? The others were doing it--even Lottie; did
she think he was blind not to see how often that fellow Ridsdale was
spooning about, and how many more walks she took than she used to?
Captain Temple got tired of coming for her. Very often she had gone
before he came--and would run back breathless, and so sorry to have
missed him. What did all that mean if not that Lottie was taking her
fling too? And his father--Captain Despard--was speeding very quickly
towards such a thing as would startle the whole town, not to speak of
the Abbey. It would be hard if Law were the only one to have his nose
kept to the grindstone; and this, we may be sure, was the last thing he
meant to allow.
As for Lottie, she carried on the business of her life in a way. The
house did not suffer--the dinner was always punctual, and the stockings
mended, notwithstanding dreams. She found time, indeed, for more actual
occupation than before. She went to the Signor’s--Mrs. O’Shaughnessy
generally, but sometimes Captain Temple, going with her when she went
for her lessons--and she went to the Abbey more frequently than she had
been used to do. These lessons were moments of excitement for the
Signor’s household. When it was the old Captain who had accompanied Miss
Despard, Mrs. Purcell was had in from her room, where she sat expectant
among her jam cupboards; and profound was her interest. She sat near the
door hemming some dusters, while the lesson went on; but sometimes would
drop her work and cross her hands, and raise her eyes to the dusky
heaven of the ceiling.
Public-domain text, read in full here on John Shaqi.
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