England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
He thought the sight of the girl in her trouble would be enough, and
that his wife would certainly say what it was on his own lips to say.
Just then, however, there was a sound of doors opening, and old Wykeham
came out and looked upon the world with a defiant countenance from the
south door of the Abbey, which was a sign that service was over; and the
notes of the voluntary began to peal out into the air. Lottie drew her
arm from that of her old friend--she could not bear the eyes of the
crowd. “Another time, another time; but I must go now,” she cried,
escaping from him and turning towards the Slopes. The old Captain’s
first impulse was to follow. He stood for a moment gazing after her as
she sped along, slim and swift and young, up the deserted road. It was
beginning to grow dark, and the evening was colder than it had been yet.
Where was she going? To her favourite haunt on the Slopes to get the
wind in her face; to let her thoughts go, like birds, into the wide
space and distance? If that had been all! The old man thought of an
alternative which filled him with alarm. He took a step after her, and
then he paused again, and shaking his head, turned back, meeting all the
people as they streamed out of the Abbey. Poor child! if she did meet
_him_ there, what then? It would comfort her to see her lover; and if he
was good, as the anxious old Chevalier hoped, had not the lover more
power to save her than all the world? There was no question of taking
Lottie from her father and mother, separating her from her home. If this
young man were to offer her a home of her own, where could there be so
good a solution to the problem? Captain Temple turned and walked home
with a sigh. It was not his way of delivering Lottie, but perhaps it was
the way that would be most for her happiness, and who was he that he
should interfere? He let her go to her fate with a sigh.
CHAPTER XXX.
LOTTIE’S FATE.
Public-domain text, read in full here on John Shaqi.
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