English fiction -- 20th century; Short stories, English
“You didn’t mean us ever to meet again, Mr. Cloete, Stafford says,
demurely. . . That fellow, when he had the drink he wanted—he wasn’t a
drunkard—would put on this sort of sly, modest air. . . But since the
captain committed suicide, he says, I have been sitting here thinking it
out. All sorts of things happen. Conspiracy to lose the ship—attempted
murder—and this suicide. For if it was not suicide, Mr. Cloete, then I
know of a victim of the most cruel, cold-blooded attempt at murder;
somebody who has suffered a thousand deaths. And that makes the thousand
pounds of which we spoke once a quite insignificant sum. Look how very
convenient this suicide is. . .
“He looks up at Cloete then, who smiles at him and comes quite close to
the table.
“You killed Harry Dunbar, he whispers. . . The fellow glares at him and
shows his teeth: Of course I did! I had been in that cabin for an hour
and a half like a rat in a trap. . . Shut up and left to drown in that
wreck. Let flesh and blood judge. Of course I shot him! I thought it
was you, you murdering scoundrel, come back to settle me. He opens the
door flying and tumbles right down upon me; I had a revolver in my hand,
and I shot him. I was crazy. Men have gone crazy for less.
“Cloete looks at him without flinching. Aha! That’s your story, is it?
. . . And he shakes the table a little in his passion as he speaks. . .
Now listen to mine. What’s this conspiracy? Who’s going to prove it?
You were there to rob. You were rifling his cabin; he came upon you
unawares with your hands in the drawer; and you shot him with his own
revolver. You killed to steal—to steal! His brother and the clerks in
the office know that he took sixty pounds with him to sea. Sixty pounds
in gold in a canvas bag. He told me where they were. The coxswain of
the life-boat can swear to it that the drawers were all empty. And you
are such a fool that before you’re half an hour ashore you change a
sovereign to pay for a drink. Listen to me. If you don’t turn up day
after to-morrow at George Dunbar’s solicitors, to make the proper
deposition as to the loss of the ship, I shall set the police on your
track. Day after to-morrow. . .
“And then what do you think? That Stafford begins to tear his hair.
Just so. Tugs at it with both hands without saying anything. Cloete
gives a push to the table which nearly sends the fellow off his chair,
tumbling inside the fender; so that he has got to catch hold of it to
save himself. . .
“You know the sort of man I am, Cloete says, fiercely. I’ve got to a
point that I don’t care what happens to me. I would shoot you now for
tuppence.
“At this the cur dodges under the table. Then Cloete goes out, and as he
turns in the street—you know, little fishermen’s cottages, all dark;
raining in torrents, too—the other opens the window of the parlour and
speaks in a sort of crying voice—
“You low Yankee fiend—I’ll pay you off some day.
Public-domain text, read in full here on John Shaqi.
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