Families -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- History -- 19th century -- Fiction
He had helped her to skip from rock to rock like an Alpine climber
among glaciers, but when they came close to the pool glowing as an
emerald of unimaginable weight, she had recoiled from it in disgust,
because it seemed to her but a sheet of green scum. He explained to
her that what revolted her was an almost solid field of drenched tiny
leaves. But he could not persuade her to come near and admire. She
hated the look of it, and when she saw a tiny water snake wriggling
through it in pursuit of a frog, she fled in loathing.
In the fall the leaves came down from the trees in slow spirals. They
lay on the surface of the pool, which had not water enough to draw them
into its plant-choked shallows. The sharpening winds swept them across
the surface in little flocks.
The children loved to play beside the Tarn, though Patty told them
stories of Indians that had murdered and been murdered there. She
whispered to RoBards that when she saw the Tarn it always hinted of
suicide or assassination. The farmer, Mr. Albeson, laughed at this, but
his wife, Abby—even the children called her Abby—said they was stories
about the place. She had forgotten just what they was, but like as
not they was dead bodies there. Folks enough had vanished during the
Revolution, and maybe some of them was still laying out there waiting
for Judgment Day to rouse them up.
It was to this moody retreat that RoBards hurried now. He took one
rail fence at a leap and landed running, like a hurdler. He stumbled
and fell and was up again. Keith clambered after his father, crawled
through the fence and over the rocks till he came where Immy lay
bruised and stunned. Keith saw his father drop to his knees and lift
the child, clench her to his breast, and shake his head over her, then
raise his eyes to the sky and say something to God that the boy could
not hear.
The boy had always been reproached for tears and had been told, “You’re
a big man now and big men don’t cry.” Yet he could see that his father
was crying, crying like a little frightened girl. This strange thing
twisted the boy’s heart and his features and he pushed forward to
comfort his father. He was near enough to hear his sister moaning:
“Papa—papa—I’m hurt—Immy’s hurt!”
Before the boy could touch him, RoBards lowered Immy gently in the
autumn leaves and put up his head and let out a strange sound like a
wolf’s howl.
Then he struggled to his feet, and ran here and there, looking,
looking. He climbed one of the high boulders about the Tarn and stared
this way and that; leaped down and vanished.
Keith ran past Immy whimpering and struggled up the steep slab of the
same boulder on all fours. Before he reached the top he could hear
voices, his father’s in horrible anger, and another voice in terror. It
was Jud Lasher’s voice and there was so much fear in it that Keith’s
own heart froze.
Public-domain text, read in full here on John Shaqi.
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