To her surprise Mildred found the awakening of her father a difficult
task the following morning. The boat on which his wife and children
were to arrive was probably already at the wharf, and she had thought
he would be up with the sun to meet them, but he seemed oppressed
with an untimely stupor. When at last he appeared he explained that
the fire on the hearth had induced a fit of brooding over the past
and future, and that he had sat up late.
"Here's a cup of coffee, papa," she said briskly, "and it will wake
you up. I'll have breakfast ready for you all by the time you can
return, and I'm so eager to see mamma that I could fly to her."
Mortified that he should even appear dilatory at such a time,
he hastened away, but he was far beyond such a mild stimulant as
coffee. Even now, when events were occurring which would naturally
sustain from their deep personal interest, he found himself reduced
to an almost complete dependence on an unnatural support. Before
sleeping he had appealed to his dread master, and his first waking
moments brought a renewed act of homage. Opium was becoming his
god, his religion. Already it stood between him and his wife and
children. It was steadily undermining his character, and if not
abandoned would soon leave but the hollow semblance of a man.
As the steamboat arrived in the night, Mrs. Jocelyn had no sense of
disappointment at not being met, and through Mildred's persistency
it was still early when her husband appeared. His greeting was so
affectionate, and he appeared so well after his hasty walk, that
the old glad, hopeful look came into her eyes. To Belle and the
children, coming back to the city was like coming home as in former
years, only a little earlier. The farm had grown to be somewhat of
an old story, and Belle had long since voted it dull.
Public-domain text, read in full here on John Shaqi.
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