"Of course you didn't think of yourself, Nan. Millie's the good
fairy to thank for all this. The way she and another female divinity
have conjured in these rooms the last three days is a matter wholly
beyond the masculine mind."
"Father did a great deal, too, and did it much better than you could
expect from a man. But, come, I'm mistress of this small fraction
of the venerable mansion till after breakfast, and then, mamma,
I'll put the baton of rule in your hands. I've burned my fingers
and spoiled my complexion over the stove, and I don't intend that
a cold breakfast shall be the result."
"Millie," cried Belle, rushing out of the second room, which she
had inspected in her lightning-like way before greeting her sister,
"our room is lovely. You are a gem, an onyx, a fickle wild rose.
It's all splendid--a perpetual picnic place, to which we'll bring
our own provisions and cook 'em our own way. No boss biddies in
this establishment. It's ever so much better than I expected after
you once get here; but as the hymn goes, 'How dark and dismal is
the way!'"
It was with difficulty that the children, wild over the novelty of
it all, could be settled quietly at the table. It was the family's
first meal in a tenement-house. The father's eye grew moist as he
looked around his board and said, deep in his heart, "Never did a
sweeter, fairer group grace a table in this house, although it has
stood more than a century. If for their sakes I cannot be a man--"
"Martin," began his wife, her delicate features flushing a little,
"before we partake of this our first meal I want you all to join
me in your hearts while I say from the depths of mine, God bless
our home."
An hour later, as he went down-town, Mr. Jocelyn finished his
sentence. "If for the sake of such a wife and such children I cannot
stop, I'm damned."
CHAPTER XVI
BELLE AND MILDRED
The cosmopolitan bachelor living in apartments knows far more of
Sanscrit than of a domestic woman's feelings as she explores the
place she must call her home. It may be a palace or it may be but
two rooms in a decaying tenement, but the same wistful, intent
look will reveal one of the deepest needs of her nature. Eve wept
not so much for the loss of Eden as for the loss of home--the familiar
place whose homeliest objects had become dear from association. The
restless woman who has no home-hunger, no strong instinct to make
a place which shall be a refuge for herself and those she loves,
is not the woman God created. She is the product of a sinister
evolution; she is akin to the birds that will not build nests, but
take possession of those already constructed, ousting the rightful
occupants.
Public-domain text, read in full here on John Shaqi.
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