The young stranger whom Mr. Jocelyn had repulsed, and who was the
real object of his quest, did not appear among the pleasure-seekers,
nor could he discover him on the piazza, in the billiard-room, or in
other places of resort. At last in much disappointment he returned
to his seat, from which he commanded a view of the parlor; and
scarcely had he done so before the one he sought mounted the steps
near him as if returning from a stroll in the hotel grounds, threw
away his cigar, and entered an open window with the same graceful,
listless saunter witnessed in the afternoon. He crossed the wide
apartment with as much ease and nonchalance as if it had been
empty, and sat down on a sofa by a somewhat stout and very elegantly
apparelled gentlewoman.
Roger never thought of accounting for the intensity of his interest
in this stranger--the young rarely analyze their feelings--but,
obedient to an impulse to learn this man's power to win the favor
of one so unapproachable by himself, he scanned with keenest scrutiny
everything in his appearance and manner, and sought eagerly to
gauge his character.
He felt instinctively that the "cold-blooded snob," as Mr. Jocelyn
had characterized him, was of the very opposite type to his own.
His graceful saunter, which, nevertheless, possessed a certain
quiet dignity, suggested a burdensome leisure and an utter lack
of purpose to go anywhere or do anything. He dropped on the sofa
rather than sat down. The lady at his side spoke rather decidedly
to him, and he answered briefly without even looking at her. By
and by she spoke again, more energetically; he then slowly arose,
approached a young woman sitting near, who in response to something
he said sprang up with alacrity, and they glided away in the waltz
with an ease and grace scarcely equalled by the others upon the
floor. After a few moments they circled around very near Roger's
post of observation, and he was able to scan both the features and
expression of the man whom he felt inclined to hate. But he was
disarmed and perplexed, for the stranger showed no more pleasure or
animation than would a fallen leaf that was swept here and there
by varying eddies of wind. He kept time and step with perfect
accuracy, but evidently from such complete familiarity with the
form that he gave it not a thought. He danced as easily as a bird
flies, avoiding the others without appearing to notice them. No
color came from the exercise, no light kindled in his face. His
expression was not blase or cynical, but weary and dejected; the
melancholy in his large brown eyes was all the more striking from
contrast with the music, the lighted room, and an amusement suggesting
gayety. Pale, utterly unresponsive to the brilliant and mirthful
scenes, he glided ghost-like here and there, and before very long
seated his companion by the elderly woman whose urgency had led to
his automaton-like performance. Then with a slight bow he passed
through a window near and disappeared.
Public-domain text, read in full here on John Shaqi.
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