I replied that I was not going to stay there at all. I had thought of that during the journey and came to the conclusion that it would be better to have my headquarters at Warsaw. Ploszow is only six miles from here, and I can go there in the morning and stay as long as I like. It is indifferent to me where I live, and my living here will prevent people talking. Besides, I do not want Pani Kromitzka to think I am anxious to dwell under the same roof with her. I spoke of this to Sniatynski, and saw that he fully agreed with me; he seemed anxious to discuss Aniela with me. Sniatynski is a very intelligent man, but he does not seem to understand that changed circumstances mean changed relations, even between the best of friends. He came to me as if I were the same Leon Ploszowski who, shaking in every limb, asked for his help at Cracow; he approached me with the same abrupt sincerity, desiring to plunge his hand up to his elbow under my ribs. I pulled him up sharply, and he seemed surprised and somewhat angry. Presently he fell in with my humor, and we talked together as if the last meeting at Cracow had never taken place. I noticed, nevertheless, that he watched me furtively, and not being able to make me out tried indirect inquiry, with all the clumsiness of an author who is a deep psychologist and reader of the human mind at his desk, and as unsophisticated as any student in practical life. As Hamlet of yore, I might have handed him a pipe and said, "Do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me." I had been reading Hamlet the night before, as I have read it many a time, and involuntarily these words came into my mind. It seems to me surpassing strange that a man of my time, in whatever position or complicated trouble of soul, should find so much analogy to himself as I find in this drama, based upon Holinshed's sanguinary and gross legend. Hamlet is the human soul as it was, as it is, and as it will be. In conceiving this drama, Shakspeare overstepped the limit fixed even for genius. I can understand Homer and Dante, studied by the light of their epoch. I can comprehend that they could do what they did; but how an Englishman of the seventeenth century could foreknow psychosis, a science of recent growth, will be to me, in spite of my study of Hamlet, an everlasting mystery.