Sometimes I feel tempted to let Aniela read this diary, but do not intend to do so. Her pity for me might be increased, but not her love. If Aniela be ever mine, she will want to look up to me for support, peace, and immovable faith for both; that is how it ought to be where happiness is at stake. Here she would find nothing but doubts. Supposing even she could understand all that has been and is going on in my mind, there are many things she could not sympathize with. We are too different from each other. For instance, when I plunge into mysticism, when I say to myself that everything is possible, even a future life, I do not shape it according to generally admitted ideas, and if those general ideas may be called a normal point of view, mine must needs be an abnormal one. Why? If everything is possible, then why not a hell, a purgatory, a heaven, or my subplanetary spaces,--and Dante's vision, which is far greater and more magnificent than mine? Then why? For a twofold reason. First, because my scepticism, which poisons itself by its own doubts, as the scorpion poisons itself with its own venom, is nevertheless strong enough to exclude the most simple and generally accepted ideas; secondly, I cannot fancy myself in the Dantean divisions with Aniela,--I do not desire such a life. It is only part of myself that writes and thinks, the greater part is always with Aniela. At this moment I see a streak of light from her window resting on the barberry bushes. My poor love has sleepless nights too. I saw her dozing over her needle-work to-day. Seated in a deep armchair she looked to me so small, and she drew such a long breath as if from weariness. I had a feeling for her as if she were my child. 11 June. They have sent me at last the Madonna by Sassoferrato. I handed it to Aniela in presence of the elder ladies, as a thing left to her in my father's will, and so she could not refuse it. Afterwards I hung it up myself in her little sitting-room, and it looks very pretty there. I am not fond of Madonnas by Sassoferrato, but this one is so simple and so serene in its clear shades. I like to think that as often as she looks at it she will remember that it was I who gave her that relic, gave it her because I love her. In this way the love she considers sinful must in her thought be united to holy things. It is a childish comfort, but he who has no other must be satisfied even with that. I had another crumb of comfort to-day. When the picture had been hung in its place, Aniela came to thank me. As the armchair in which Pani Celina sits was at the other end of the room, I held for a moment the hand Aniela was about to withdraw, and asked in a low voice:-- "Is it true, Aniela, that you hate me?" She only shook her little head, as if in sadness. "Oh, no!" she replied quickly.