cruelly upon innocent individuals. The comic writer found it no joke to
live with 'I'd Rajah not's' going at seventy-five to the cigarette, or
mockeries of the mother-in-law yielding but a ton of coals to the
thousand. Puns were barely vendible, and even comic pictures could only
be sold at a great sacrifice of decency.
"The heir was a type of sufferer. When he came around asking for
champagne and chicken, the working-man said, 'What are you offering us in
exchange?' and he replied, 'My relationship to my father.' But they would
not buy.
"Antiquarians and scholars, too, found it a hard task to live. No one
needed the things they raked up from the dust-heap of the past. Critics
were in an exceptionally critical condition. No one cared to exchange his
productions with a man who in return had to offer only his opinion of
somebody else's! As this opinion was usually worthless even under the old
_régime_, people soon began to turn up their noses at it, and nobody
would give a rusk for the information that Turner was a better artist
than Nature, or that hanging was too good for Whistler. Remarks about the
Italian Renaissance were accounted paltry equivalents for green peas,
invidious comparisons among the Lake poets were not easily negotiable for
alpaca umbrellas, and the subtlest misreadings of Shakespeare were
considered trivial substitutes for small-clothes. The artists were
reduced to borrowing half-rolls from their models, partly because people
had gone back to Nature and liked their scenery free from oil, and drank
in the Spirit of Beauty without water, and partly because it was so
difficult to assess the value of a picture now that critics had been
starved out and speculation had died away. Allegorical painters continued
a much-misunderstood race, and the fusion of classes had reacted fatally
on the brisk trade in 'Portraits of a Gentleman.' People who, in their
celestial aspirations after the True, the Good, and the Beautiful, had
forgotten that they ate and drank and required food, warmth, and shelter
to hatch all these sublime things with Capital Letters--people who had
heretofore poured lofty scorn on those who could not forget that a man
was a being with a body--these were now the most clamant demanders of the
material. Only by the withdrawal of physical necessaries and luxuries did
they come to realise how much they had depended on such, or to perceive
the impossibility of the Worship of Truth on an empty stomach. Alas!
under this crude system of barter the most ardent expression of their
sentiments concerning the ideal and the _Kalokagathon_ would not keep
them in cigars. The professional paradoxist went about with holes in his
boots. Epigrams in hand, sickness at heart, and emptiness at stomach, he
crawled through the town in search of a buyer. He offered a dozen of the
choicest apothegms for a pair of hob-nailed boots, conjuring the cobbler
like the veriest 'commercial' to note the superiority of the manufacture.
Public-domain text, read in full here on John Shaqi.
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