With musicians there is a tendency to "m's" and "n's," which sounds harmonious enough, Mendelssohn, Massenet, Mascagni, Mackenzie, Schumann, have both letters; Mozart but one. Haydn, Beethoven, Chopin, Saint-Saëns, Sullivan, Charles Salaman, Edward Solomon, Frederic Cowen, run "n"-wards with the unanimity of publishers, while Gounod, Stanford, Audran, Sebastian Bach, Donizetti, work in the "n" otherwise, and Wagner has the librettist's "r" in addition. Would you play the piano? You must have the "n" of the piano, like Pachmann, Rubinstein, Rosenthal, Hofmann, Frederick Dawson, Madame Schumann, Fanny Davies, Agnes Zimmermann, Leonard Borwick, Nathalie Janotha, Sapellnikoff, Sophie Menter. Even for other instruments, including the human voice divine, the "n" is advisable. Paganini, Jenny Lind, Norman Néruda, Christine Nilsson--all patronized it largely. Adelina Patti, Johannes Wolf, and many others make a "Christian" use of it. If, on the other hand, you wish to manufacture pianos your chance of founding a first-class firm will be largely enhanced if your name begins with "b." Actors, like authors, roll their "r's"; and if their names are pseudonyms, so much the greater proof that some occult instinct makes them elect for that virile letter. Who are our leading actors and actor-managers? The double-r's: Henry Irving, Herbert Beerbohm Tree (two pairs), Forbes-Robertson, George Alexander, Arthur Roberts, Edward S. Willard, Edward Terry, Charles Brookfield, Wilson Barrett, Fred Terry, Fred Kerr, Charles Warner, W. Terriss, George Grossmith, Charles Hawtrey, Arthur Bourchier (two pairs). Scarcely any leading actor lacks one "r," as Charles Wyndham, Cyril Maude, Louis Waller, etc., etc. Those without any "r's" may console themselves with the memory of Edmund Kean, though Garrick--a name almost wholly compact of "r"--is the patron saint of the stage. The ladies follow the gentlemen. From Ellen Terry and Winifred Emery to Ada Rehan and Mrs. Patrick Campbell, from Rose Leclercq and Marie Bancroft to Marion Terry and Irene Vanbrugh, few dare dispense with the "r." But I have said enough. I have opened up new perspectives for the curious and the philosophic, which they may follow up for themselves. Here is a fresh field for faddists and mystagogues. Already I have proved as much as many systems of mediaeval philosophy which strove to extract the essence of things from the study of words and letters. Already I have collected more evidence than the sectarians of the Shakespeare-Bacon. Bacon write Shakespeare, indeed! A man without an "r" to his name, pointed out by his "n" for a publisher, and, indeed, not without some of the characteristics of the class. Seriously, the truth is that l, m, n, and r are the leading letters in name-making; but still there does seem to be more in the coincidence to which I have drawn attention than mere accident explains. XXV AUTHORS AND PUBLISHERS