virginal figure and her sweet unconscious coquetry, as different from the
barmaid's as Rosalind's from Audrey's; and Sarah's brother, briskest of
business boys, resurges with his polyglot solicitations to buy nougat: a
mannish swashbuckler without, a cherubic infant within: I see the Congo
negroes, mere frauds from the States, in your opinion, daintiest of
American friends, who came all the way from Paris to meet me. But soft!
what has all this to do with the Industrial Exhibition?
_Rien, absolument rien._ Give us these things anywhere, give us lights
and gardens and music, give us dances and damsels, give us Congo
encampments and "_ballons dirigeables_," and thither will we troop to
make us merry. Ah! but the incurable conscientiousness of the human race
insists on pills with its jam. Or is it that it has never yet dawned upon
humanity that jam may be taken without pills? There was a time--it lasted
seventy thousand ages according to the Chinese manuscript which Elia
saw--when mankind ate their meat raw. Then, one day, as every schoolboy
knows, Bo-bo carelessly set his father's cottage on fire, and, burning
the litter of new-farrowed pigs it held, accidentally invented
_crackling_. So delicious was burnt pig discovered to be that everybody
fell to setting his house on fire to obtain it. "Thus this custom of
firing houses continued, till in process of time a sage arose, like our
Locke, who made a discovery that the flesh of swine, or indeed of any
other animal, might be cooked (_burnt_, as they called it) without the
necessity of consuming a whole house to dress it.... By such slow degrees
do the most useful and seemingly the most obvious arts make their way
among mankind." For seventy thousand ages mankind did without _al fresco_
entertainments. Then some one invented Exhibitions, and mankind found it
delicious to promenade the grounds amid twinkling lights and joyous
music. But no Locke has yet discovered that musical promenades may be had
without elevating a whole Exhibition in the background. At Earl's Court
they still keep up a pretence of Industrial Exhibition, though we have
long since lost interest in the pretext, and no longer inquire whether
the painted scenery that walls in the grounds is called the Alps or the
Apennines or the Champs-Elysées. And yet methinks mankind did discover
the open-air entertainment, as perchance roast pig was known and
forgotten again long centuries before Bo-bo. For what was Ranelagh, what
Vauxhall? Were not the gardens of Vauxhall "made illustrious by a
thousand lights finely disposed," or, as Thackeray puts it, by a "hundred
thousand _extra_ lamps, which were always lighted"? Were not "concerts of
musick" given nightly by fiddlers in cocked hats, ensconced in a "gilded
cockleshell," and was not the price of admission a shilling? "Vauxhall
must ever be an estate to its proprietor," wrote Boswell, "as it is
peculiarly adapted to the taste of the English nation; there being a
Public-domain text, read in full here on John Shaqi.
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