bells? What happy times for butchers and bakers and candlestick-makers
when, instead of working, they could go in processions, bearing aloft the
insignia of their guilds, and when middle-class girls, ignorant of the
New Womanhood, could loll on triumphal cars with roses in their hair! Do
you remember how the topmost divinity smiled to me from her perilous
perch, too high to rouse your jealousy, and how the little cherub that
sat up aloft besprinkled us mischievously with eau de cologne? Ah, shall
we ever again be as happy as we were three hundred years ago? will the
wine be ever as red, the potato salad as appetising, or the cheese (did
they really enjoy Gorgonzola and Camembert in the sixteenth century?) as
delicious as in that ancient Flemish hostelry with its Lutheran motto:
Wie nikt mint Wijn, Wijf en Sangh,
Blijft een Geck sijn Leven langh!
Was it from its inscribed beams that Shelley borrowed his famous lyric
"Love's Philosophy"? for did we not read:
Den Hemel drinckt, en d'Aerde drinckt:
Waerom souden wij niët drinckt?
("Heaven drinks, and earth drinks: why shouldn't we drink?") At any rate
it pleased us to recall the delectable lines:
And the sunlight clasps the earth,
And the moonbeams kiss the sea;
What are all these kissings worth
If thou kiss not me?
But what does it matter what one did three hundred years ago?
Or, what does it matter what one did that dim Arabian night when we set
out with the cavalcade of camels in the marriage procession, and the
bride cowered veiled in her corner of the coach, and the plump mother
smiled archly at us, and the brother and the bridegroom, mounted on Arab
steeds, smacked each other's faces in ceremonial solemnity, exactly like
"the two Macs" in the music-hall? Was it then, or in the nineteenth
century, that we rode the camel together, I on the hindmost peak? "Oh,
the oont, oh, the oont, oh, the gawdforsaken oont!" as the poet of the
barrack-room sings. He seems to double up like a garden-chair to receive
one; then his knees unfold and the rider shoots up; then the camel rises
to his full height, and one ducks instinctively for fear of striking the
stars. "_Salaam Aleikhoom_," I cried to the drivers, airing my Arabic,
which I make by mispronouncing Hebrew; and they answered effusively,
"Yankee Doodle! Chicago!" Alas for the glamour of the Orient! They had
all come from the greater fair, perhaps spent their lives in traveling
from fair to fair, mercenaries of some latter-day Barnum.
There was a fine stalwart Egyptian, who stood beating a gong to summon
the faithful to improper dances. I gave him a cup of coffee, and he held
it on high, and with gratitude effusing from every pore of his dusky
face, cried, "Columbus!" Then he mounted a flight of stairs and shouted
beamingly, "1492!"
Public-domain text, read in full here on John Shaqi.
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