Poets and seers feel the richness and strangeness of the life that is
passing under their very eyes. With Maeterlinck it is the mystery, with
Stevenson the colour, with Wordsworth the divinity. To see the glamour of
the contemporary is the note of your modern. Whitman spent his life
trying to see it in the most unpromising materials. The wondering
perception of steamships and electric-cables has already grown dulled to
us: it requires a Kipling to revivify it. The new photographic process
which enables one to carry out Sydney Smith's desire on a hot day, to
take off one's flesh and sit in one's bones, alone seems wonderful to us;
though to see through a window is just as marvellous as to see through a
brick wall. For if _nil admirari_ be the motto of the sage, _omne
admirari_ is that of the poet, and the poetry which wafts from the past
to the soul of the most commonplace person is seen in the present by him
who hath eyes. The pathos of that which _must_ pass away is no less great
than the pathos of that which _has_ passed away. And what produces the
art-feeling in both cases is the same--the fresh, intense perception of
things for themselves alone: only the ordinary man finds it easier to
detach his own interests from the past than from the present of which he
is part. Romance is not in things, but in the souls that observe. Every
place, however enchanted, is inhabited by prosaic persons who earn their
living there. My chambermaid was born in Padua--Padua, outside which
Donatello could not achieve perfection; Padua, ever dear to us because
Portia feigned to have studied law at its University. Alas! alas! the two
gentlemen of Verona go down to business in tram-cars, and the
Magic casements opening on the foam
Of faëry lands in perilous seas forlorn
are cleaned and repaired by some one who sends in the bill. Yet, since
believing is seeing, let us behold, not the chambermaid and the
window-cleaner, but the magic casement and the moonrise. And if to the
commonplace our own age is commonplace, yet our age, like youth, is a
fault that will mend with time. Our politics, and philosophies too, will
crumble and decay, the dust will gather on our books and newspapers,
archaeologists will prize our coins, the fashion of our ugly garments
will grow picturesque, and samples of our streets will be rebuilt in
exhibitions. What is then left to console us for the eternal flux? Only
that posterity shall grow old-fashioned too, while we, like antiquity,
shall have enjoyed that which never grows old--the sunshine and the
stars, love and friendship, the smiles of little children, and the
freshness of flowers, aspiration and achievement, thought and worship,
struggle and self-sacrifice.
Public-domain text, read in full here on John Shaqi.
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