"'No, we don't corral him. The b'ar simply r'ars back long enough to
put Andrew Jackson an' Thomas Benton into mournin', an' then goes
scuttlin' off through the bushes like the grace of heaven through a
camp-meetin'. As for myse'f, I lays thar; an' what between dog an'
b'ar an' the fall I gets, I'm as completely a thing of the past as
ever finds refooge in that strip of timber. As near as I makes out
by feelin' of myse'f, I ain't fit to make gourds out of. Of course,
she's a mistake on the part of the dogs, an' plumb accidental as far
as the b'ar's concerned; but it shore crumples me up as entirely as
if this yere outfit of anamiles plots the play for a month.
"'With the last flicker of my failin' strength, I crawls to my old
gent's teepee an' is took in. An' you shore should have heard the
language of that household when they sees the full an' awful extent
them dogs an' that b'ar lays me waste. Which I'm layed up eight
weeks.
"'My old gent goes grumblin' off in the mornin', an' rounds up old
Aunt Tilly Hawks to nurse me. Old Aunt Tilly lives over on the
Painted Post, an' is plumb learned in yarbs an' sech as Injun
turnips, opydeldock, live-forever, skoke-berry roots, jinson an'
whitewood bark. An' so they ropes up Aunt Tilly Hawks an' tells her
to ride herd on my wounds an' dislocations.
"'But I'm plumb weak an' nervous an' can't stand Aunt Tilly none.
She ain't got no upper teeth, same as a cow, her face is wrinkled
like a burnt boot, an' she dips snuff. Moreover, she gives me the
horrors by allers singin' in a quaverin' way
"'Hark from the tombs a doleful sound,
Mine y'ears attend the cry.
Ye livin' men come view the ground
Where you shall shortly lie.
"'Aunt Tilly sounds a heap like a tea-kettle when she's renderin'
this yere madrigal, an' that, an' the words, an' all the rest, makes
me gloomy an' dejected. I'm shore pinin' away onder these yere
malign inflooences, when my old gent notes I ain't recooperatin',
an' so he guesses the cause; an' with that he gives Aunt Tilly a
lay-off, an' tells her to send along her niece Polly to take her
place,
"'Thar's a encouragin' difference. Polly is big an' strong like I
states; but her eyes is like stars, an' she's as full of sweetness
as a bee tree or a bar'l of m'lasses. So Polly camps down by my
couch of pain an' begins dallyin' soothin'ly with my heated brow. I
commences recoverin' from them attacks of b'ars an' dogs instanter.
"'This yere Polly Hawks ain't none new to me. I never co'ts her; but
I meets her frequent at barn raisin's an' quiltin's, which allers
winds up in a dance; an' in them games an' merriments, sech as
"bowin' to the wittiest, kneelin' to the prettiest, an' kissin' the
one you loves the best," I more than once regyards Polly as an
alloorin' form of hooman hollyhock, an' selects her. But thar's no
flush of burnin' love; nothin' nore than them amiable formalities
which befits the o'casion.
Public-domain text, read in full here on John Shaqi.
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