Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
Lorimer took her outstretched hand and respectfully lifted her fingers
to his lips. Then he went out. He could have danced for very joy.
The scene he had just witnessed confirmed him in his belief that there
was yet hope for Philip.
He had a plan evolved out of his dramatic author's brain, a little _coup
de théâtre_, which he thought had every chance of turning out a success.
He had already talked of it to Philip and Dr. Templeton, and both of
them had pronounced it an excellent idea. Hobbs also was in the secret.
Lorimer judged the time ripe for the execution of this plan. On leaving
Dora he jumped into a cab, and went to warn the other conspirators to
hold themselves in readiness. The doctor was to make his appearance at
Dora's about five o'clock, to see how she was doing. Philip was to wait
in the street in readiness for a signal, which should bid him to the
scene of action in due time. When everything was decided, and the
details well arranged, Lorimer took Philip to his club, where they
passed an hour or two in talk before returning to St. John's Wood to
proceed to action.
XVIII
LORIMER'S PLOT
When Dora was alone, she took Philip's letter and put it by without
opening; then she softly began to untie the small packet. She could not
repress her emotion at the sight of these little flowers, that brought
back the memory of the happiest days of her life. It was like a breath
of Elm Avenue, stealing into her attic.
"Our little family," she said. "Poor little flowers, you were happy when
Philip plucked you, happy even as I in those days was happy! And to-day
you are faded, limp, and lifeless, even as my poor heart. Oh, cursed be
life, I cannot weep even at sight of you.... You at least have no memory
to torture you. What would I not give to obliterate my own!"
When Hobbs came in to set the table, she found Dora lying drowsily back
in her armchair, holding in her hands the flowers whose history the
good woman knew well. She did not like to disturb her mistress, and
retired discreetly into the bedroom to wait patiently until Dora should
wake. But Dora did not stir, and the beefsteak would certainly be
spoilt. Hobbs returned, and softly and deftly set about her
preparations.
Dora opened her eyes, and was annoyed to see Hobbs smiling at sight of
the flowers she still held in her hands. It seemed as if the servant had
surprised a dear secret, and was reading in her mistress's heart
something that she herself could scarcely decipher yet.
"The pansies come back!... Then it must be master who has sent them,"
said Hobbs.
"Yes," replied Dora, "yes, it is he; they no longer mean anything to
him, so he sent them to me. He gets rid of them."
"And shall I tell you what I think? I think that these flowers mean a
great deal to him still, and, if he has sent them here, it is that they
may say to you, 'In the name of the happy past that these flowers will
remind you of, come back to me. I love you and I wait for you.' That's
what I think."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account