Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
A ray of ineffable joy spread over Dora's face; but the shock had been
too violent and too sudden. She was not strong enough to bear such
emotion as the news had caused her. Repeating over Lorimer's phrase, "It
is he who occupies the house! Oh, my dear old studio!" she fell fainting
into his arms, and he called Hobbs to come quickly to her mistress's
aid. After a few moments her eyes opened, she smiled at Lorimer, and he
took her hands and kissed them.
It was five o'clock. Dr. Templeton arrived, and had Dora led to her
bedroom, with a recommendation to rest quietly on the bed a while.
"It is only a little weakness," said he; "her pulse is almost normal.
This sort of thing is often caused by sudden emotion. It will soon be
over, but I will stay near her for the present."
"My plan is working well," said Lorimer; "I will give the signal to
Philip. Be careful that she does not enter this room until everything is
ready."
The doctor nodded assent, as he opened Dora's door and disappeared
inside.
Philip came upstairs, trembling like a culprit. When he looked around
and took in the details of the poor studio, which was such a faithful
copy of another dear to both, he could not restrain his emotion. All
that Dora had kept back from his knowledge, this pathetic room revealed
to him. He had difficulty in keeping back his tears.
"Dora is there," whispered Lorimer, pointing to the room.
"Ah, she is there!"
He stepped softly over on tiptoe. Through the door of this room, the
heart of Philip sent a message to Dora: "If a man's devotion can revive
a woman's long-lost smile, and redeem the wrong that he has
thoughtlessly inflicted, you shall live joyously once more, cherished
and adored. The remainder of my life shall be consecrated to your
happiness."
Dr. Templeton came into the studio, and announced that Dora was
sleeping.
"To tell you the truth," said he to Lorimer, "your plan frightened me
somewhat at first. I was afraid that the shock might be a little too
much for our fragile patient. She is far from strong, she has been
overtaxing her strength, and the emotions of this day, followed up by
such a scene as you have planned, would, I feared, be a heavy strain to
subject her to. However, I have just carefully sounded her heart, and,
thank Heaven, I feel relieved. It is beating regularly enough now, and I
think we can, in all security, try the little manoeuvre you suggest.
It is a trifle melodramatic perhaps, but an excellent idea for all
that."
"Well, then, to work at once," said Lorimer. "Let us proceed to make
this room a still more faithful copy of the St. John's Wood studio than
Dora has done, by adding to it the artist himself."
Philip, docile as a child in the hands of these two friends, lent
himself to the scheme, and did exactly as he was bid. He began by taking
off his coat and donning his working jacket, then, palette and brush in
hand, he seated himself on the stool in front of the easel that bore the
portrait of Dora.
Public-domain text, read in full here on John Shaqi.
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