Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
"I had the honour of making madame's acquaintance in New York," said
Schowalski, bowing.
"Really," replied Mrs. W. G. van der Leyd Smythe, "when was that?"
"Why, two years ago in New York, in your drawing-room, where I had the
honour of playing."
"That's true--I think I remember--in January 1896; yes, yes--delighted
to meet you again, Mr. ... I never can remember names--what is his name
again?" asked she of Dora.
Schowalski heard no more. He bowed, shook hands with a few friends and
disappeared.
"Schowalski is one of the greatest pianists of the day," said Dora.
"I know, I know," said the lady with the string of names, "but what
impertinence to enter into conversation with your guests, as if he had
been invited. Upon my word, the effrontery of these musicians!"
She followed him with her eyes as she stared through a pair of
long-handled glasses, that are a weapon of offence in the fingers of
some women.
"Well, to be sure," she cried, "if he isn't shaking hands with Lady
Gampton now! My dear Mrs. Grantham, in New York we do not entertain
musicians, we engage them to entertain us--we pay them and we are
quits."
"My dear Mrs. Van der Leyd Smith"--
"Smythe," said the lady, correcting Dora.
"Excuse me, I never can remember names. In England, artists like
Schowalski are received by the aristocracy and even at Court. Perhaps
that makes them so bold as to think they may be fit to associate with
the aristocracy of New York."
"Take that," she said to herself.
The magnificent New Yorker fanned herself, smiled a little awry, and
went to join the group which held her daughter, the Countess of Gampton.
Lorimer had not lost a word of the conversation. He would fain have
cried "Bravo."
"For a _débutante_," said he, "you are going strong--that was
promising."
"My dear Gerald, I feel that I am getting spiteful--I shall bite soon."
Just at this moment, quite near the door, she perceived a lady taking
notes. She had already noticed her before--this person who drew up every
now and then near certain groups, carefully studied the dresses, and
looked up and down the people whom she did not seem to know.
"Do tell me," Dora said to Lorimer, "who is that woman who puzzles me
so? What is she doing? She seems to be taking notes; just now she was
making little sketches--she is an artist, no doubt."
"How innocent you are!" cried Lorimer, laughing loudly. "Yes, she is an
artist, if you will--who works for some fashion paper--or a lady
reporter taking notes for a society paper."
"But I do not know her," said Dora; "I am perfectly sure I never asked
her here."
"You, no; but perhaps someone else. For that matter reporters find
their way pretty nearly everywhere without invitation. It is their
calling. This one is taking notes, to publish in her paper an account of
your party."
"But it is an insult," cried Dora; "I wish they would leave me alone. I
don't want accounts in papers--my house is private."
Public-domain text, read in full here on John Shaqi.
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