Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
"Wait a moment--why, yes," exclaimed Lorimer, who had just put up his
eyeglass to look at the lady in question; "yes, of course, I know her,
she writes for _The Social Wave_, a paper for people in the swim. Shall
I introduce her to you?"
"Oh, no thank you, please don't," replied Dora.
"Some time ago," continued Lorimer, "I used to meet her often at
parties. She is a rather clever little woman, and has the knack of
turning out readable paragraphs. She is tolerated everywhere for the
sake of what she writes--you know, there are plenty of people who like
publicity."
Lorimer had noticed that the lady reporter had let fall two leaves from
her notebook. He watched his opportunity, picked them up, and brought
them to Dora.
"Look, we are going to have some fun. I have samples. Listen, 'Lady
Mardon looked thrillingly lovely in electric blue ... her superb
shoulders'" ...
"Enough, enough," said Dora. "The idea of it."
"Wait a minute; here is something else. 'Lady Margaret Solby wore a
dream of sea-green and salmon, and was the admiration of everyone. Mrs.
Van der Leyd Smythe received congratulations on all sides on the subject
of her daughter's marriage with the young Earl of Gampton.'"
"And people read that!" said Dora.
"Certainly, and, more wonderful still, people buy it. Oh, listen to
this, here is something that concerns you personally. 'Mrs. Philip
Grantham wore a dress of white satin, trimmed with lace and silver
embroidery, and, blazing with diamonds and emeralds, received her guests
with a simplicity and a grace which will speedily make her one of the
most popular hostesses in London.' Now, that is what I call amiable; she
treats you with generosity." And seeing that Dora seemed very much
annoyed, he added, "That is the kind of literature that delights our
modest countrywomen."
"There are no more journalists," said Dora, with disgust, "there are
only _concierges_."
She took the pages and tore them in shreds. Then, with a little feeling
of shame at having been amusing herself at the expense of her guests,
she rose, made a little sign to Lorimer, and was soon swallowed up in
the crush, saying a few pleasant words here and there to her
acquaintances as she went.
Lorimer went down to the buffet, where he found Schowalski, who was
going in heavily for sandwiches, cakes and ices and champagne. The
appetite of musicians is proverbial!
"Ah, Monsieur Lorimer," said he, "I am so glad to see you, you will be
the very man to render me a little service. I have just finished," he
added in confidence, "a grand concerto in four parts for the piano. In
that concerto I have expressed all the great sorrows of life: First, an
adagio--sad, full of tears; then a grand allegro, full of despair. You
understand, don't you? Well, what I am trying to find is a title, a
telling title. As a playwright you know the importance of a good title.
Can you suggest something?"
"My dear sir," said Lorimer, "great sorrows are silent."
Public-domain text, read in full here on John Shaqi.
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