Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
She had come here with new hope in her heart, to call her talent to her
rescue, and to serve Art faithfully and ask of it her bread. At the
least, she felt that here she could, when her time came, die without a
malediction on her lips.
Dora gave orders to Hobbs to refuse her door generally. Lorimer and Dr.
Templeton were the only exceptions. She laid the greatest stress on
these directions, and Hobbs solemnly promised to obey to the letter.
Without delay she traced herself a programme which she resolved to
follow out faithfully. She would work at her easel three hours every
morning, would take outdoor exercise every afternoon to keep herself
refreshed and strong, and the evenings should be devoted to reading and
needlework.
She had brought with her several excellent photographs of Eva, and fully
intended to make a portrait of the child whom death had robbed her of.
Her brush would help her to see again that sweet flesh of her flesh.
"But not yet, not just yet," she said.
As she had to earn a livelihood, and painting was to be her means of
subsistence, she resolved to look about at once for a model. She chose a
little Italian boy who played a concertina under her windows almost
every day. The picturesque urchin was ready enough to pose for the
_signora_, and beamed with delight at the shilling Dora put into his
grubby little palm at the conclusion of each sitting.
Dora took her first walk in the neighbourhood, and Hobbs went with her.
They set out without any destination in view, but had not been walking
more than five minutes when they found themselves in Elm Avenue. No
trace of any emotion crossed Dora's face, and, instead of turning back
as Hobbs was for doing, Dora would insist on going as far as No. 50. The
house was to let. No one had lived in it since Philip left. Dora drew up
on the other side of the road in front of the house. Hobbs tried to draw
her away, for she feared that the sight of her old home might be too
painful for her mistress.
"No," said Dora, "I am going to show you how thoroughly cured and strong
I am ... I am going in."
Hobbs remembered Dr. Templeton's injunctions never to cross her whims,
and so did not persist further.
Dora rang the bell. A woman, evidently a caretaker, opened the door.
"Do you wish to see the house, ma'am?"
"Yes, if you please," replied Dora.
She was invited to "step in," and the woman prepared to show her over
the premises.
"The studio is a very fine one, and communicates with the garden. Your
husband is an artist, I suppose, ma'am?"
"Yes," said Dora.
"Then you would like to see the studio first, perhaps?"
As soon as they reached it, Dora asked the woman to leave her there
alone a little while, under pretence that she had measurements to take
and many details to think out.
Public-domain text, read in full here on John Shaqi.
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