French fiction -- Translations into English; Short stories, French -- Translations into English
Fifty years have passed--the space of a human life. I have seen
hundreds and hundreds of models, but never one worthy to be compared
with that Nicostratus the Olynthian. He was the Statue of the Man in
all his grandeur at the full age of force and power. I never had him as
a model for anything of mine; the unfortunate being only posed once,
and you shall learn how.
CHAPTER IV
I returned upon horseback to my own place going through Attica. During
my five years of absence creditors had sold the few poor goods I
possessed, and I put up very simply at a hostelry of Athens for many
weeks. Parrhasius followed after an interval of a few days. Hearing of
my modest lodging, he at once offered me hospitality. I went to him at
once to thank him and decline. He then lived near the Academy, in a
palace of marble and metal, near to the little house that Plato lived
in.
The gardens extended to the river, and the house was surrounded by much
pomp of trees.
By some feebleness of the intellect that is difficult to understand
in a man of such strength and value, Parrhasius positively adored
ostentation and every show of wealth. His fortune was immense, and he
did not permit any one to think otherwise. With marble, silk, gold,
and beauteous women, his abode had the air of a palace of Artaxerxes.
He greeted me upon the threshold of the chamber that served him for a
studio. Standing robed in red silk and crowned like an Olympian god,
he opened his large arms to me. I then penetrated by his side into the
famous salon that had been the matrix of so many masterpieces.
“My Prometheus?” he said, in answer to my question. “No; I am yet
meditating upon that. In a few days I shall see it all clearer. Come;
look at this little thing. It is wonderful. I have never done a more
beautiful thing.”
It was a picture of a sleeping nymph and two satyrs. I saw, near, the
lovely Artemidora and two of the Sarmatians, and at once divined that
they had posed for the picture.
He ordered the pose to be again taken, and continued the painting
before me.
CHAPTER V
I remained an entire month at Athens, occupied with my own personal
affairs; and these did not allow me time to return to the house of
the great painter. Athens was truly in mourning since the fall of the
Olynthians. The slave-market at Chalcis, the sale of a people, such a
scandal and insult was the subject on all tongues, and the dream of all
those who were silent.
One day it was known that in Athens a citizen held captive an Olynthian
woman. The citizen was condemned and executed.
Alarmed, I hastened to Parrhasius, and my entreaties gained me
admission to him.... Never shall I forget the regard, slow and grave,
with which Parrhasius greeted me when I entered. He was standing,
painting. Then, following his further glances, I saw, nude and bound
to an actual rock, Nicostratus the Olynthian.
“Cry out!” shouted Parrhasius to him; and his awesome captive did,
cursing, foaming, and raging.
Public-domain text, read in full here on John Shaqi.
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