Woman : $b a vindicationLudovici, Anthony M. (Anthony Mario)
Philosophy
Woman : $b a vindication
Ludovici, Anthony M. (Anthony Mario)
Sex; Women
Anyone who has an extensive knowledge of women—even of the most
cultivated among them—is aware of how constantly they are guided in
their conclusions concerning what is true by hedonistic considerations.
Indeed, it is the most difficult thing to persuade a woman, even of the
most obvious truth, if that truth strikes her as being too unpleasant
to be comfortably assimilated to her previous stock of knowledge.
In addition to her vital indifference to truth, therefore, woman’s
emotions add a further disability to her nature in this department.
Her convictions are so intimately and unconsciously interwoven with
her deepest interests and long-cherished beliefs, that if, to accept a
certain truth, these convictions have to be outraged, she prefers to
reject that truth as unacceptable. In this sense, woman’s thinking is
largely feeling, and her thoughts are largely sensations.[234] The
more emphatic and stubborn a woman is in any belief, the more strongly
you may suspect that she has not facts, but emotional reasons for
holding it.[235] That is why women are so notoriously bad at giving
reasons for their opinions, and why they are so untrustworthy as judges
of matters of fact, where impartiality is a pre-requisite. A woman
Feminist, for instance, will emphatically claim (I have actually heard
a body of them claim this) that the music of Dame Ethel Smyth is equal
to any that has been composed by the best male musicians, and she will
reiterate this claim and press it the more aggressively and stubbornly
the more you try to appeal to her reason with the view of showing her
the absurdity of her position. Now the cause of this is not the female
Feminist’s _intellectual_ conviction that Dame Ethel Smyth’s music
is actually equal to the best male music, but her strong emotional
desire that it should be so; and this strong emotional desire makes
her utterly unfit to express an impartial opinion upon it. The truth,
which is that Dame Ethel Smyth’s music is by no means equal to the
most superior male music, is too unpleasant to be accepted: therefore,
without any further ado, it is rejected as untrue.
It is enormously difficult for a woman to divorce her wishes, her likes
and dislikes, from her beliefs and from her conclusions; and this, in
addition to her natural indifference to the truth, and her lack of
originality, is enough to explain the fundamental unsuitability of her
sex for any scientific pursuit.[236]
Public-domain text, read in full here on John Shaqi.
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