In the same manner he reviews the authors of the third, the fourth, the fifth century, and shows that there are no traces of this style of feeling. Moreover, he cites passages from the Christian fathers of the first three or four centuries, where Mary is as freely spoken of and criticised, and represented subject to sins of infirmity, as other Christians. Tertullian speaks of her "unbelief." Origen interprets the sword that should pierce through her heart as "unbelief"; and in the fourth century, St. Basil gives the same interpretation; in the fifth century, St. Chrysostom accuses her of excessive ambition and foolish arrogance and vainglory, in wishing to speak with Jesus while engaged in public ministries. Several others are quoted, commenting upon her in a manner that must be painful to the sensibility of even those who never cherished for her a superstitious veneration. No person of delicate appreciation of character can read the brief narrative of the New Testament and not feel that such comments do great injustice to the noblest and loveliest among women. The character of Mary has suffered by reaction from the idolatrous and fulsome adoration which has been bestowed on her. In the height of the controversy between Protestants and the Romish church there has been a tendency to the side of unjust depreciation on the part of the former to make up for the unscriptural excesses of the latter. What, then, was the true character of Mary, highly favored, and blessed among women? It can only be _inferred_ by the most delicate analysis of the little that the Scripture has given; this we reserve for another article. MARY THE MOTHER OF JESUS. From out the cloudy ecstasies of poetry, painting, and religious romance, we grope our way back to the simple story of the New Testament, to find, if possible, by careful study, the lineaments of the real Mary the mother of our Lord. Who and what really was _the woman_ highly favored over all on earth, chosen by God to be the mother of the Redeemer of the world? It is our impression that the true character will be found more sweet, more strong, more wonderful in its perfect naturalness and humanity, than the idealized, superangelic being which has been gradually created by poetry and art.