Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
The dying words of Jesus have been collected and arranged by the
Church in a rosary,--pearls brought up from the depths of a profound
agony, and of precious value in all sorrow. Of those seven last
words it is remarkable what a proportion were words for other than
himself. The first sharp pang of torture wrung from him the prayer,
"Father, forgive them; they know not what they do." The second word
was of pardon and comfort to the penitent thief. The third the
commendation of his mother to his beloved friend.
If any mortal creature might be said to have entered into the
sufferings of the great atonement with Jesus, it was his mother in
those last hours. Never has sorrow presented itself in a form so
venerable. Here is a depth of anguish which inspires awe as well
as tenderness. The magnificent "Stabat Mater," in which the Church
commemorates Mary's agony, is an outburst with which no feeling
heart can refuse sympathy. We rejoice when again we meet her, after
the resurrection, in the company of all the faithful, waiting to
receive that promised illumination of the Holy Spirit which solved
every mystery and made every doubt clear.
In all this history we see the picture of a woman belonging to that
rare and beautiful class who approach the nearest to our ideal of
angelic excellence. We see a woman in whom the genius and fire of
the poet and prophetess is tempered by a calm and equable balance
of the intellect; a woman not only to feel deeply, but to examine
calmly and come to just results, and to act with energy befitting
every occasion. Hers are the powers which might, in the providence
of God, have had a public mission, but they are all concentrated in
the nobler, yet secret mission of the mother. She lived and acted
in her son, not in herself. There seems to be evidence that both
Jesus and his mother had that constitutional delicacy and refinement
that made solitude and privacy peculiarly dear, and the hurry and
bustle and inevitable vulgarities of a public career a trial. Mary
never seems to have sought to present herself as a public teacher;
and in the one instance when she sought her son in public, it was
from the tremulous anxiety of a mother's affection rather than the
self-assertion of a mother's pride. In short, Mary is presented to
us as the mother, and the mother alone, seeking no other sphere.
Like a true mother she passed out of self into her son, and the life
that she lived was in him; and in this sacred self-abnegation she
must forever remain, the one ideal type of perfect motherhood.
This entire absence of self-seeking and self-assertion is the
crowning perfection of Mary's character. The steadiness, the silent
reticence, with which she held herself subject to God's will,
waiting calmly on his Providence, never by a hasty word or an
imprudent action marring the divine order or seeking to place self
in the foreground, is an example which we may all take reverently to
our own bosoms.
Public-domain text, read in full here on John Shaqi.
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