Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
The rest of the story reads like an allegory, so exactly does it
describe that unworthy subservience of man to his own passions,
wherein bad women in all ages have fastened poisonous roots of
power. The man is deceived and betrayed, with his eyes open, by a
woman whom he does not respect, and who he can see is betraying him.
The story is for all time. The temptress says: "How canst thou say,
I love thee, when thy heart is not with me? Thou hast mocked me
these three times, and hast not told me wherein thy great strength
lieth. And it came to pass when she pressed him daily with her
words, and urged him so that his soul was vexed to death, that he
told her all his heart." Then Delilah runs at once to her employers.
"She sent and called the lords of the Philistines, saying, Come up
this once, he hath told me all his heart. And she made him sleep
upon her knees; and called for a man, and bade him shave off the
seven locks, and his strength went from him. And she said, The
Philistines be upon thee, Samson, and he awoke and said, I will go
out and shake myself, as at other times, and he wist not that the
Lord was departed from him. But the Philistines took him, and put on
him fetters of brass, and he did grind in their prison house."
Thus ignobly ends the career of a deliverer whose birth was promised
to his parents by an angel, who was vowed to God, and had the gift
of strength to redeem a nation. Under the wiles of an evil woman he
lost all, and sunk lower than any slave into irredeemable servitude.
The legends of ancient history have their parallels. Hercules,
the deliverer, made the scoff and slave of Omphale, and Antony,
become the tool and scorn of Cleopatra, are but repetitions of the
same story. Samson victorious, all-powerful, carrying the gates
of Gaza on his back, the hope of his countrymen and the terror of
his enemies; and Samson shorn, degraded, bound, eyeless, grinding
in the prison-house of those he might have subdued,--such was the
lesson given to the Jews of the power of the evil woman. And the
story which has repeated itself from age to age, is repeating itself
to-day. There are women on whose knees men sleep, to awaken shorn
of manliness, to be seized, bound, blinded, and made to grind in
unmanly servitude forever.
"She hath cast down many wounded,
Yea, many strong men hath she slain;
Her house is the way to Hell,
Going down to the chambers of Death."
[Illustration: JEPHTHA'S DAUGHTER]
JEPHTHA'S DAUGHTER.
This story, which has furnished so many themes for the poet and
artist, belongs, like that of Samson, to the stormy and unsettled
period of Jewish history which is covered by the Book of Judges.
Jephtha, an illegitimate son, is cast out by his brethren, goes off
into a kind of border-land, and becomes, in that turbulent period, a
leader of a somewhat powerful tribe.
Public-domain text, read in full here on John Shaqi.
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