The armies of Xerxes were not _led_ to battle by leaders in front, but driven from behind with whips like cattle. When the king's bridge of boats across the Hellespont was destroyed by a storm, he fell into a fury, and ordered the sea to be chastised with stripes, and fetters to be thrown into it, with the admonition, "O thou salt and bitter water, it is thus that thy master chastises thy insolence!" We have the picture, in Herodotus, of the king seated at ease on his royal throne, on an eminence, beholding the various ranks of his army as they were driven like so many bullocks into battle. When the battle went against him, he would leap from his throne in furies of impotent rage. It is at the court of this monarch, proud, vain, passionate, and ostentatious, that the story opens, with a sort of dazzle of Eastern splendor. "Now it came to pass, in the days of Ahasuerus, which reigned from India even unto Ethiopia, over an hundred and twenty and seven provinces, that in those days, when King Ahasuerus sat on the throne of his kingdom, which was in Shushan the palace, in the third year of his reign, he made a feast unto all his princes and his servants; the powers of Persia and Media, the nobles and princes of the provinces, being before him: when he showed them the riches of his glorious kingdom and the honor of his excellent majesty." On the last seven days of the feast the royal palace is thrown open to the populace of Shushan. The writer goes on to amplify and give particulars: In the courts of the king's garden were couches of gold and silver, on a pavement of colored marbles, with hangings of white, green, and blue, fastened by cords of purple and fine linen to silver rings in marble pillars. There was wine poured forth in costly goblets of very quaint and rare device. Vashti, the queen, at the same time made a feast to all the women in the royal house which belonged to the king. In the year 1819 Sir Robert Ker Porter visited and explored the ruins of this city of Shushan. His travels were printed for private circulation, and are rare and costly. They contain elegant drawings and restorations of the palace at Persepolis which would well illustrate this story, and give an idea of the architectural splendor of the scenery of the drama here presented. Of Shushan itself,--otherwise Susa,--he gives only one or two drawings of fragmentary ruins. The "satyrs have long danced and the bitterns cried" in these halls then so gay and glorious, though little did the king then dream of that. At the close of the long revel, when the king was inflated to the very ultimatum of ostentatious vanity, he resolves, as a last glorification of self, to exhibit the unveiled beauty of his Queen Vashti to all the princes and lords of his empire.