Given, a woman with the sensual, dominating inheritance of the Cæsars
and the pride of a new race that knows no law but its own will,
without the pride of character which serves always as a balance-wheel
to the passions; imagine her a widow at seventeen, and married again,
with no choice, to a plain but distinguished soldier, nearly thrice
her age, whose lack of patrician birth humiliated her, and whose
_bourgeois_ habits were not to her liking; surround her with
idle and conscienceless men who make love a pursuit and the arts of
flattery a study--and we have already the elements of a tragedy. This
hard-headed husband wearied her; his ways were foreign to her; his
world of interest was not hers. Even the public spirit which led him
to give so many fine temples and works of art to the city that honored
him annoyed her. She had the tastes of a dilettante, but she believed
firmly in the divine right of emperors and emperors’ daughters to
command all things for themselves.
Nor did this petted child like any better the provincial notions of
her old-fashioned father. It did not suit her to sew and spin with her
stepmother, whose staid decorum irritated her. She belonged to the
pleasure-loving set of an age in which luxury was uppermost and vice
was a fine art. Fatal hour in any age when fashion laughs at morals and
glories in the _cachet_ of would-be elegant sin! “If my father
forgets that he is Cæsar, I who am his daughter have the right to
remember it,” said Julia, by way of comment on his democratic ways.
One day at the theater he noticed the contrast between the dignified
Livia, simply attired, but surrounded by grave statesmen and men of
distinction, and the gaily dressed Julia with her train of gilded,
dissolute youth. After his usual fashion of writing little notes when
he had anything to say, he sent the latter a line of reproof. “Do not
blame my young friends,” was her ready answer; “they will grow old
with me.” On another occasion, after he had found fault with her showy
appearance, she presented herself the next day in a plain and modest
costume. To his compliment on the becoming change, she replied: “To-day
I am dressed for my father; yesterday it was for my husband.” The
subtle satire in this remark was only apparent to those who knew that
she dressed for all the world rather than for either.
Public-domain text, read in full here on John Shaqi.
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