If conversation did not reach its maturity in Italy, it had its
brilliant youth there. Later it was taken up in France, spiced with
Gallic wit, and raised to the dignity of a fine art; but it lost a
little of its first seriousness. The accomplished princesses of the
Renaissance, who raved over a new-found line of Plato or Socrates,
and expatiated on the merits of a long-buried statue they had helped
to unearth, recalled the famous circle of Aspasia and made social
centers of their own. But they added a fresh and original flavor. One
does not copy accurately after fifteen or twenty centuries, nor even
after two or three; but we are safe in thinking that these groups
of poets, statesmen, prelates, artists, wits, and litterateurs, who
discussed the new life and thought, were not far behind their model
in brilliancy. If the men were not so great, the world was older, the
field of knowledge was wider, and there was more to talk about. Then,
there was but one Aspasia. If there were lesser stars of her own
sex, we do not know who they were. It was a brave woman, whatever her
abilities may have been, if she had a reputation to lose, that would
show her face in the society of those grand old Greeks who claimed the
universe for themselves and made of her an insignificant vassal. But
there was a multitude of women, both clever and learned, who added life
and piquancy to the coteries of the Renaissance. Men were proud of the
versatile wives and daughters who made their courts centers of light
and learning; if they were without lettered tastes themselves, they
were glad of the reflected glory. So, naturally, it was the ambition
of every well-born girl to fit herself to shine in these brilliant
circles, and every father who had a daughter of talent was conscious of
possessing a treasure of great value upon which too much care could not
be lavished.
It must not be thought, however, that the women who made their courts
so famous were simply devotees of fashion, or the pretty toys of men’s
caprices, any more than they were colorless saints of the household or
cloister. They were not without high domestic and womanly virtues, but
they had also intelligence, a grasp of affairs, masterly character, and
the tact to make all these qualities available for the good of their
families and society. They were versed not only in classic lore, but in
the art of living. It was not weakness that constituted their charm;
it was their symmetry and the fullness of their strength.
Public-domain text, read in full here on John Shaqi.
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