This dangerous Lucrezia, however, had her serious moments. After the
pageants were over, she took out of her traveling-case the Dante and
Petrarch she had brought for her daily reading, also some histories,
with her manual of devotion. She had, too, her literary circle of
poets, savants, men of letters, prelates, cardinals, and clever women
who spoke in Latin and wrote Greek quite naturally and as a matter of
course. They talked of manners, art, and philosophy, as at Urbino, but
perhaps not quite so seriously; they talked also of love, spiritual and
otherwise. The inevitable Bembo was there for a time, and afterward
wrote Platonic letters about literature to the friend of his soul,
which she answered with insight and discrimination as well as matronly
discretion. These letters were preserved, with a lock of her golden
hair.
There is little trace of the early Lucrezia in her later years. No more
worldly vanities. She prayed a great deal, and spent her evenings in
working beautiful designs in embroidery with the ladies of her court.
“Her husband and his subjects all loved her for her gracious manners
and her piety,” we are told. She was not old when she died,--two or
three years past forty,--leaving an inconsolable husband and several
children. In a letter of condolence the Doge of Venice gives great
praise to her devotion and her fine qualities of character. The most
distinguished prelates of the day pay a tribute to her many virtues.
The experiences of her life, which were dark enough at its beginning
and too surely not blameless, are wrapped in a mystery so deep that we
cannot fairly judge them to-day.
Public-domain text, read in full here on John Shaqi.
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