One can imagine the flutter of pleasure with which the young girls
of the golden age of Athens donned their white draperies and
gold-embroidered mantles to march in the Panathenaic procession to the
Acropolis. Their snowy veils floated airily in the breeze, as they went
up the marble steps of the propylæa chanting choral hymns and carrying
in their hands the branches of silvery olive to lay at the feet of
the stately goddess. How bright the sky! how blue the sparkling sea!
How beautiful the white temples and colonnades, alive with sculptured
heroes! Before them rose Hymettus in its robe of violet haze, and
the cone of Lycabettus, sharply outlined in the clear air. Sheltered
behind the low hills on the other side of the vast olive-groves, the
magnificent temple of Eleusis, with its heart of mystery, towered in
its peerless majesty, and the restless waves of Salamis lapped the
shore at its side. This world of beauty was young then and fresh,
with no age-old tragedies to sadden the brilliant crowd that wound in
dazzling array through the forest of columns and statues. The flower of
Athens was there--brave, handsome, and clever men, poets, artists, and
philosophers, warriors on prancing horses, beautiful women and laughing
children. If the uncaged maidens were tempted to flirt a little with
their soft, dark eyes, who can blame them? They were young and human,
companionship was sweet, and they too had tender hearts, though small
account was made of them.
But the day ends. The sacred Athena is resplendent in her new robe. The
gay crowd moves back past the exquisite little Ionic temple of Victory
and down the massive steps into the agora, where life goes on as
before. Men throng the porticos and talk of the new play of Sophocles,
or the last statue of Phidias, or the prospects of war, or any of
the thousand and one things that come uppermost in the affairs of a
great city. When the shadows fall and the stars come out bright and
shining in that crystal air, they gather at banquets or symposia, where
flute-players and dancing-girls are brought in to amuse them, or some
Lais or Phryne of the hour enthralls them by her beauty and dazzles
them with her wit. But the wives and daughters of these men, who do not
see fit to educate them for companions, go back to their lonely homes
and to an isolation from all social and intellectual interests as deep
as if they were asleep in the sculptured tombs of the Via Sacra.
Public-domain text, read in full here on John Shaqi.
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