Woman on Her Own, False Gods and The Red Robe: Three Plays By BrieuxBrieux, Eugène
General
Woman on Her Own, False Gods and The Red Robe: Three Plays By Brieux
Brieux, Eugène
French drama
_The gentlemen offer their arms to the ladies preparatory to
going in to dinner._
CURTAIN.
ACT II
_In the office of Mouzon, the examining magistrate. A door
at the back and in the wall to the right. On the left are
two desks. Portfolios, armchairs, and one ordinary chair._
SCENE I:--_The recorder, then the doorkeeper, then Mouzon. When the
curtain rises the recorder, seated in the magistrate's armchair, is
drinking his coffee. The doorkeeper enters._
RECORDER. Ah! Here's our friend the doorkeeper of the courthouse! Well,
what's the news?
DOORKEEPER. Here's your boss.
RECORDER. Already!
DOORKEEPER. He got back from Bordeaux last night. Fagged out he looked.
RECORDER [_loftily_] A Mauleon magistrate is always fatigued when he
returns from Bordeaux!
DOORKEEPER. Why?
RECORDER [_after a pause_] I do not know.
DOORKEEPER. It's the Irissary murder that has brought him here so early.
RECORDER. Probably. [_While speaking he arranges his cup, saucer, sugar
basin, etc., in a drawer. He then goes to his own place, the desk at the
back. Mouzon enters. The doorkeeper pretends to have completed some
errand and leaves the room. The recorder rises, with a low bow_]
Good-morning, your worship.
MOUZON. Good-morning. You haven't made any engagements, have you, except
in the case of the Irissary murder?
RECORDER. I have cited the officer of the gendarmerie, the accused, and
the wife of the accused.
MOUZON. I am tired, my good fellow. I have a nervous headache! Any
letters for me?
RECORDER. No, your worship.
MOUZON. His Honor the State Attorney hasn't asked for me?
RECORDER. No, your worship. But all the same I have something for you.
[_He hands him an envelope_]
MOUZON [_opening the envelope_] Stamps for my collection! I say, Benoit,
that's good! Now let's see. Let's see. [_He unlocks the drawer of his
desk and takes out a stamp album_] Uruguay. I have it! Well, it will do
to exchange. And this one too. Oh! Oh! I say, Benoit! A George Albert,
first edition! But where did you get this, my dear fellow?
RECORDER. A solicitor's clerk found it in a brief.
MOUZON. Splendid! I must stick that in at once! Pass me the paste, will
you? [_He delicately trims the edges of the stamp with a pair of
scissors and pastes it in the album with the greatest care, while still
talking_] It is rare, extremely rare! According to the _Philatelist_ it
will exchange for three blue Amadei or a '67 Khedive, obliterated.
There! [_Turning over the leaves of his album_] Really, you know, it
begins to look something like. It's beginning to fill up, eh? You know I
believe I shall soon be able to get that Hayti example. Look! See here!
[_In great delight_] There's a whole page-full! And all splendid
examples. [_He closes the album and sighs_] O Lord!
RECORDER. You don't feel well?
MOUZON. It's not that. I was rather worried at Bordeaux.
RECORDER. About your stamps?
Public-domain text, read in full here on John Shaqi.
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