Woman on Her Own, False Gods and The Red Robe: Three Plays By BrieuxBrieux, Eugène
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Woman on Her Own, False Gods and The Red Robe: Three Plays By Brieux
Brieux, Eugène
French drama
ETCHEPARE. For ten years I've lived with that thief--that wretched
woman! How she lied! Ah! When I heard that judge say to her, "You were
convicted of theft and complicity with your lover," and when, before all
those people, she owned to it--I tell you, mummy, I thought the skies
were falling on my head--and when she admitted she'd been that man's
mistress--I don't know just what happened--nor which I would have killed
soonest--the judge who said such things so calmly or her who admitted
them with her back turned to me. And then I was on the point of
confessing myself guilty--I, an innocent man--in order not to learn any
more--to get away--but I thought of you and the children! [_A long
pause_] Come! We've got to make up our minds what we're going to do. You
left them at home?
THE MOTHER. No. I had to send them to our cousin at Bayonne. We've no
longer got a home--we've nothing--we are ruined. Besides, I've got a
horror of this place now. The women edge away and make signs to one
another when I meet them, and in the church they leave me all alone in
the middle of an empty space. Already--I had to take the children away
from school.
ETCHEPARE. My God!
THE MOTHER. No one would speak to them. One day Georges picked a quarrel
with the biggest, and they fought, and as Georges got the better of it,
the other, to revenge himself, called him the son of a gallows-bird.
ETCHEPARE. And Georges?
THE MOTHER. He came home crying and wouldn't go out of doors. It was
then that I sent them away to Bayonne.
ETCHEPARE. That's what we'll do. Go away. We'll go and fetch them.
To-morrow or to-night I shall be with you again. There are emigration
companies there--boats to America--they'll send all four of us--they'll
give us credit for the voyage on account of the children.
THE MOTHER. And when they ask for their mother--
ETCHEPARE [_after a pause_] You'll tell them she's dead.
SCENE IV:--_Yanetta is shown in._
YANETTA [_to someone outside_] Very good, Monsieur. [_The door is
closed_]
THE MOTHER [_without looking at Yanetta_] Then I'll go.
ETCHEPARE [_the same_] Yes. I shall see you again to-night or down there
to-morrow.
THE MOTHER. Very well.
ETCHEPARE. Directly you get there you'll go and find out about the day
and hour.
THE MOTHER. Very well.
ETCHEPARE. Till to-morrow then.
THE MOTHER. To-morrow. [_She goes out without glancing at Yanetta_]
YANETTA [_takes a few steps towards her husband, falls on her knees, and
clasps her hands. In a low voice_] Forgive me!
ETCHEPARE. Never!
YANETTA. Don't say never!
ETCHEPARE. Was the judge lying?
YANETTA. No--he wasn't lying.
ETCHEPARE. You wretched thing!
YANETTA. Yes, I am a wretched thing! Forgive me!
ETCHEPARE. Kill you rather! I could kill you!
YANETTA. Yes, yes! But forgive me!
ETCHEPARE. You're just a loose woman--a loose woman from Paris, with no
honor, no shame, no honesty even!
YANETTA. Yes! Insult me--strike me!
ETCHEPARE. For ten years you have been lying to me!
Public-domain text, read in full here on John Shaqi.
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