Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
Mrs. Hall's novels have but little literary value, but she has brought
to light Irish characteristics and Irish traditions which were
overlooked by her predecessors, and for that reason they deserve to
live.
CHAPTER XII
Lady Caroline Lamb. Mrs. Shelley
It is impossible to comprehend the Byronic craze which swept cool-headed
England off her feet during the regency. _Childe Harold_ was the
fashion, and many a hero of romance, even down to the time of
_Pendennis_, aped his fashions. Disraeli and Bulwer were among his
disciples. Bulwer's early novels, _Falkland_ and _Pelham_, were
influenced by him; and _Vivian Grey_ and _Venetia_ might have been the
offspring of Byron's prose brain, so completely was Disraeli under his
influence at the time.
The poorest of the novels of this class, but the one which gives the
most intimate picture of Byron, is _Glenarvon_, by Lady Caroline Lamb.
Its hero is Byron. The plot follows the outlines of her own life, and
all the characters were counterparts of living people whom she knew.
Calantha, the heroine, representing Lady Caroline, is married to Lord
Avondale, or William Lamb, better known as Lord Melbourne, at one time
Premier of England. Lord and Lady Avondale are very happy, until
Glenarvon, "the spirit of evil," appears and dazzles Calantha. Twice
she is about to elope with him, but the thought of her husband and
children keeps her back. They part, and for a time tender _billets-doux_
pass between them, until Calantha receives a cruel letter from
Glenarvon, in which he bids her leave him in peace. Other well-known
people appeared in the book. Lord Holland was the Great Nabob, Lady
Holland was the Princess of Madagascar, and Samuel Rogers was the Yellow
Hyena or the Pale Poet. The novel had also a moral purpose; it was
intended to show the danger of a life devoted to pleasure and fashion.
Of course the book made a sensation. Lady Caroline Lamb, the daughter of
Earl Bessborough, the granddaughter of Earl Spencer, related to nearly
all the great houses of England, had all her life followed every impulse
of a too susceptible imagination. Her infatuation for Lord Byron had
long been a theme for gossip throughout London. She invited him
constantly to her home; went to assemblies in his carriage; and, if he
were invited to parties to which she was not, walked the streets to meet
him; she confided to every chance acquaintance that she was dying of
love for him. Yet, as one reads of this affair, one suspects that this
devotion was nothing more than the infatuation of a high-strung nature
for the hero of a romance. In writing to a friend about her husband,
she says, "He was privy to my affair with Lord Byron and laughed at it."
On her death-bed she said of her husband, "But remember, the only noble
fellow I ever met with was William Lamb."
A month after her death, Lord Melbourne wrote a sketch of her life for
the _Literary Gazette_. In this he said:
Public-domain text, read in full here on John Shaqi.
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