Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
Mrs. Trollope has been described by her friends as a refined woman of
charming personality. But as soon as she began to write, she donned her
armour and proclaimed her hostility either to her hero or to the larger
part of the characters of the book. This method is dangerous to art.
Even the genius of Thackeray is lessened by his lack of sympathy.
In 1833 Mrs. Trollope published her first novel, _The Refugee in
America_. It is the story of an English lord who has fled to America to
escape English justice. He and his friends have settled in Rochester,
New York. It was written for the sole purpose of describing the manners
of the people of our Eastern cities. The author's attitude toward them
is well illustrated by a conversation between Caroline, the young
English girl, and her American _protégée_, Emily. After a dinner in
Washington, Caroline exclaims to her friend:
"'Oh, my own Emily, you must not live and die where such things be.'
"Emily sighed as she answered, 'I am born to it, Miss Gordon.'
"'But hardly bred to it. We have caught you young, and we have spoiled
you for ever as an American lady.'"
Three years later Mrs. Trollope published her strongest novel, _The Life
and Adventures of Jonathan Jefferson Whitlaw_. This is a powerful
picture of early life on the Mississippi; it was the first novel since
Mrs. Behn's _Oroonoko_ which called attention to the evils of African
slavery. It is marred, however, by want of sympathy with the community
she is describing. Mr. Jonathan Whitlaw Senior has "squat in the bush,"
an expression to which Mrs. Trollope objects, but which brings to mind
at once the log cabin in the forest clearing, and the muscular, uncouth
pioneer. Jonathan furnishes firewood to the Mississippi steamers, and by
this means gains sufficient wealth to carry out his life's ambition: to
set up a store in Natchez, and to own "niggers." But the life of a
pioneer has made Jonathan as cunning as a fox. This cunning his son
Jonathan, the hero of the story, has inherited to the full. As a
slave-owner he is as grasping and cruel as Legree, whom Mrs. Stowe
immortalised some years later. His character, though drawn with strength
and vigour, is inconsistent. He is a miser, yet he is a gambler and a
spendthrift, qualities not often found together. He is not a true
representative of the son of a pioneer. Clio Whitlaw, the aunt of the
hero, belongs more truly to her environment. One suspects the English
family at Cincinnati had received neighbourly kindnesses from women like
her. With her physical strength and great courage she is kind and
neighbourly to all who need her help. The sad story of Edward Bligh, the
young Kentuckian who preached the gospel to the slaves, the victim of
lynch law, a word dreaded even then, is as thrilling as parts of _Uncle
Tom's Cabin_.
Public-domain text, read in full here on John Shaqi.
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