Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
It was this quality that made it possible for her to write that
inimitable comedy of manners, _Cranford_. Her other novels with their
deep pathos, strong passion, and dramatic situations must be read to
show the breadth of her powers, but _Cranford_ will always give its
author a unique place in literature. Imagine the material that furnished
the groundwork of this story put into the hands of any novelist from
Richardson to Henry James. It seems almost like sacrilege to think what
even Jane Austen might have said of these dear elderly ladies. As for
Thackeray, their little devices to keep up appearances would have seemed
to him instances of feminine deceit, and he might have put even Miss
Jenkyns with her admiration of Dr. Johnson into his _Book of Snobs_.
What tears Dickens would have drawn from our eyes over the love story of
Miss Matty and Mr. Holbrook. How George Eliot would have mourned over
the shallowness of their lives. Henry James would have squinted at them
and their surroundings through his eye-glass until he had discovered
every faded spot on the carpet or skilful darn in the curtain. Miss
Mitford would have appreciated these ladies and loved them as did Mrs.
Gaskell, only she would have been so interested in the flowers and
birds and clouds that she would have forgotten all about the Cranford
parties, and would probably have ignored the presence in their midst of
the Honourable Mrs. Jamieson, the sister-in-law of an earl. So we must
conclude that only Mrs. Gaskell could make immortal this village of
femininity, where to be a man was considered almost vulgar, but into
which she has introduced one of the most chivalrous gentlemen in the
person of Captain Browne, and one of the most faithful of lovers in the
person of Mr. Holbrook, while no book has a more lovable heroine than
fluttering, indecisive Miss Matty, over whose fifty odd years the
sorrows of her youth have cast their lengthening shadows.
_Mary Barton_ is a work of genius. Only a woman of high ideals could
have drawn the character of Margaret Hale, an earlier Marcella, or Molly
Gibson, or Mr. Thornton, or Mr. Holman. Only a woman of deep insight
could have created a woman like Ruth: a book which in its problem and
its deep earnestness reminds one of _Aurora Leigh_. But her readers will
always love Mrs. Gaskell for the sake of the gentle ladies of
_Cranford_.
CONCLUSION
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