Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
The life and writings of Mrs. Inchbald had some things in common with
the life and writings of Mrs. Smith. Both were obliged to write to
support themselves as well as those dependent upon them. Both had seen
many phases of human nature, and both viewed with scorn the pretensions
of the rich and beheld with pity the sorrows of the poor. Both were
champions of social and political equality. Mrs. Inchbald, however, was
an actress and a successful playwright, hence her novels are the more
dramatic, but they lack the beautiful rural setting which gives a poetic
atmosphere to the writings of Charlotte Smith.
_A Simple Story_, the first, of Mrs. Inchbald's two novels, has been
called the precursor of _Jane Eyre_. It is the first novel in which we
are more interested in what is felt than in what actually happens. Mr.
Dorriforth, a Catholic priest, and Miss Milner, his ward, fall in love
with each other, and we watch this hidden passion, which preys upon the
health of both. He is horrified that he has broken his vows; she is
mortified that she loves a man who, she believes, neither can nor does
return her feeling for him. When he is released from his vow, it is the
emotion, not external happenings, that holds the interest. The first
part of the story is brought to a close with the marriage of Mr.
Dorriforth, now Lord Elmwood, and Miss Milner.
Seventeen years elapse between the two halves of the novel. During this
time trouble has come between them and they have separated. The
character of each has undergone a change. Traits of disposition that
were first but lightly observed have been intensified with years. Mrs.
Inchbald writes of the hero: "Dorriforth, the pious, the good, the
tender Dorriforth, is become a hard-hearted tyrant; the compassionate,
the feeling, the just Lord Elmwood, an example of implacable rigour and
justice." His friend Sandford has also changed with the years, but he
has been softened, not hardened by them--"the reprover, the enemy of the
vain, the idle, and the wicked, but the friend and comforter of the
forlorn and miserable."
The story of Dorriforth gives unity to the two parts of the novel. The
conflict between his love and his anger holds the reader in suspense
until the conclusion. The characters of eighteenth-century fiction were
actuated by but a small number of motives. In nearly all the novels the
men were either generous and free or stingy and hypocritical; the women
were either virtuous and winsome, or immoral and brazen. Mrs. Inchbald
possessed, only in a less degree, George Eliot's power of
character-analysis; she observed minor qualities, and she was as
unflinching in following the development of evil traits to a tragic
conclusion as was the author of _Adam Bede_.
In _The Gentleman's Magazine_ for March, 1791, some one wrote of _A
Simple Story_:
Public-domain text, read in full here on John Shaqi.
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