Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
She thus feelingly describes the condition of Ireland in the novel
_O'Donnel_. Its sincerity must excuse its overwrought style: "Silence
and oblivion hung upon her destiny, and in the memory of other nations
she seemed to hold no place; but the first bolt which was knocked off
her chain roused her from paralysis, and, as link fell after link, her
faculties strengthened, her powers revived; she gradually rose upon the
political horizon of Europe, like her own star brightening in the west,
and lifting its light above the fogs, vapours, and clouds, which
obscured its lustre. The traveller now beheld her from afar, and her
shores, once so devoutly pressed by the learned, the pious, and the
brave, again exhibited the welcome track of the stranger's foot. The
natural beauties of the land were again explored and discovered, and
taste and science found the reward of their enterprise and labours in a
country long depicted as savage, because it had long been exposed to
desolation and neglect."
In this book a party of travellers visits the Giant's Causeway and its
scenery is described as an almost unfrequented place.
The new interest in Ireland of which she writes was very largely due to
the novels of Maria Edgeworth, and partly to those of Lady Morgan
herself.
Her last novel, _The O'Briens and the O'Flahertys_, is of historic
value. Its plot was furnished by the stirring events which took place
when the Society of United Irishmen were fighting for parliamentary
reforms. Lord Edward Fitzgerald, the devoted patriot, is easily
recognised in the brave Lord Walter Fitzwalter, and the life of Thomas
Corbet furnished the thrilling adventures of the hero, Lord Arranmore.
When Thomas Moore visited Thomas Corbet at Caen he referred to the
account given of his escape from prison in Lady Morgan's novel as
remarkably accurate in its details.
The style of Miss Owenson's earlier books was execrable and fully
justified the severe criticism in the first number of the _Quarterly
Review_. It gives this quotation from _Ida, or the Woman of Athens_:
"Like Aurora, the extremities of her delicate limbs were rosed with
flowing hues, and her little foot, as it pressed its naked beauty on a
scarlet cushion, resembled that of a youthful Thetis from its blushing
tints, or that of a fugitive Atalanta from its height." The wonder is
that any serious magazine should have wasted two pages of space upon
such nonsense. In ridiculing the book and the author, it gives her some
serious advice, with the encouragement that if she follow it, she may
become, not a writer of novels, but the happy mistress of a family.
Whether Lady Morgan took this ill-meant advice or not, her style
improved with each book, until in _The O'Briens and the O'Flahertys_ it
became simple and clear, with only an occasional tendency to high
colouring and bombast.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account