Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
The lives of Anna Maria and Jane Porter resemble in a few particulars
that of Elizabeth Hamilton. Like her they belonged, at least on the
father's side, to Ireland, and like her they lived in Scotland, and
their names will always be associated with that country. But Elizabeth
Hamilton wrote the first novel of Scotland's poor, the ancestor of _The
Window in Thrums_ and _Beside the Bonnie Brier Bush_; Jane Porter wrote
the first novel of Scotland's kings, the immediate forerunner of
_Waverley_, _The Abbot_, and _The Monastery_.
Upon the death of Major Porter, who had been stationed for some years
with his regiment at Durham, Mrs. Porter removed to Edinburgh, where her
children were educated. Their quick lively imaginations found food for
growth on Scottish soil. At that time Caledonia was a land of cliff and
crag, inhabited by a quarrelsome people, whom the English still regarded
with something the same aversion which Dr. Johnson had so often
expressed to Boswell. But every castle had its story of brave knights
and fair ladies, and every brae had been the scene of renowned deeds of
arms. In every cottage the memory of the past was kept alive, and
fathers and mothers related to their children stories of Wallace and of
Bruce, until the romantic past became more real than the living present.
Mrs. Porter's servants delighted to relate to her eager children stories
of Scotland's glory. The maids would sing to them the songs of "Wallace
wight," and the serving-man would tell them tales of Bannockburn and
Cambus-Kenneth.
Rarely have stories fallen on such fertile soil. In a short time, three
of these children became famous. Sir Robert Ker Porter, the brother of
Anna and Jane, followed closely in the footsteps of Scotland's heroes,
and became distinguished as a soldier and diplomat, as well as a famous
painter of battles. He painted the enormous canvas of _The Storming of
Seringapatam_, a sensational panorama, one hundred and twenty feet in
length, the first of its kind, but in a style that has often been
followed in recent years. The idol of his family, it would seem that he
was endowed with many of those qualities which his sisters gave to the
heroes of their romances.
Public-domain text, read in full here on John Shaqi.
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