Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
It is a tender pathetic story. Mrs. Mowbray, the mother of Adeline,
believed by her neighbours to be a genius, is interested in new theories
of education, and, while writing a book on that subject, occasionally
experiments with Adeline, although she neglects her for the most part.
In spite of this Adeline grows up beautiful and pure, totally ignorant
of the world and its wickedness. Her mother often quoted in her presence
the book of a Mr. Glenmurray, in which he proves marriage to be a
tyranny and a profanation of the sacred ties of love. Adeline is
captivated by the enthusiastic ideals of the young author. There is a
fine contrast in character and motive, where Adeline is entertaining Mr.
Glenmurray, the high-minded writer, and Sir Patrick O'Carrol, a man of
many gallantries. Sir Patrick is shocked to meet at her home the man
whose theories have banished him from respectable society. Adeline,
innocent of any low interpretation that may be put upon her words, makes
the frank avowal that, in her opinion, marriage is a shameless tie, and
that love and honour are all that should bind men and women. Sir Patrick
heartily agrees with her sentiments, and as a consequence accosts her
with a freedom repugnant to her, although she hardly understands its
import, while Glenmurray sits by gloomily, resolving to warn her in
private that the opinions she had expressed were better confined in the
present dark state of the public mind to a select and discriminating
circle. After they leave Adeline, Glenmurray, as the outcome of this
meeting, had the satisfaction of fighting a duel with Sir Patrick,
contrary to the tenets of his own book.
But when, to escape the advances of Sir Patrick, Adeline places herself
under the protection of Glenmurray, who ardently loves her, he urges her
to marry him. This she refuses to do, and encourages him to show the
world the truth and beauty of his teachings. Glenmurray, a man of
sensitive nature, suffers more than Adeline from the indignities she
constantly receives when she frankly says she is Mr. Glenmurray's
companion, not his wife. He takes her from place to place to avoid them,
for he realises that the world censures her, while it excuses him. But
Adeline is so happy in her love for him, and in her faith in his
teachings, that she endures every humiliation with the faith of the
early Christian martyrs. When he urges her, as he so often does, to
marry him, he reads in her eyes only grief that he will not gladly
suffer for what he believes to be right, and desists rather than pain
her. But his death is hastened by the harassing thought that her whole
future is blighted by his teachings. As he says to her just before his
death:
Public-domain text, read in full here on John Shaqi.
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