Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
Are there many heroes and heroines for whom we dare predict a happy
married life? Would Mr. B. and Pamela have written such long letters to
each other about the training of their children if conversation had not
been a bore? Evelina must have been disappointed to discover that Lord
Orville lived on roast beef, plum-pudding, and port wine instead of
music and poetry. Of all Scott's heroes and heroines none had sacrificed
more for each other than Ivanhoe and Rowena; he gave up Rotherwood, and,
as a disinherited son, sought forgetfulness of her charms in distant
Palestine; she put aside all hopes of becoming a Saxon queen, and was
true to the gallant son of Cedric. Yet we have Thackeray for authority
that they were not only unhappy, but often quarrelled after Scott left
them at the altar. And none of Thackeray's marriages turned out well,
although Becky Sharp made Rodney Crawley very happy until he discovered
her wiles. Dickens was perhaps more fortunate, but David was led away by
the cunning ways of Dora before he discovered a companion and helpmate
in Agnes, a heroine worthy to be placed beside Elizabeth and Jane
Bennet. George Eliot's books and those of later novelists are rather a
warning than an incentive to matrimony. Have all our sighs and tears
over the mishaps of ill-starred lovers been in vain, and is it true that
when the curtain falls at the wedding it is only to shut from view a
scene of domestic infelicity?
Not so with Jane Austen. She is the queen of match-makers. The marriages
brought about by her guidance give a belief in the permanency of English
home life, quite as necessary for the welfare of the kingdom as the
stability of Magna Charta. Her heroes have qualities that wear well, and
her heroines might have inspired Wordsworth's lines:
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears and smiles.
Public-domain text, read in full here on John Shaqi.
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