Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
Miss Mitford followed this plan as far as her great love of nature would
permit. For when she found her daily cares too great to be borne in the
little eight-by-eight living-room, she escaped to the woods and fields.
She loved the poets who wrote of nature, and next to Miss Austen, whom
she placed far above any other novelist, she delighted in the novels of
Charlotte Smith, and in her own pages there is the same true feeling for
nature.
_Our Village_ follows in a few particulars Gilbert White's _History of
Selborne_. As he described the beauties of Selborne through the varying
seasons of the year, she describes her walks about Three Mile Cross,
first when the meadows are covered with hoar frost, then when the air is
perfumed with violets, and later when the harvest field is yellow with
ripened corn. All the lanes, the favourite banks, the shady recesses are
described with delicate and loving touch. How her own joyous, optimistic
nature speaks in this record of a morning walk in a backward spring:
"Cold bright weather. All within doors, sunny and chilly; all without,
windy and dusty, It is quite tantalising to see that brilliant sun
careering through so beautiful a sky, and to feel little more warmth
from his presence than one does from that of his fair but cold sister,
the moon. Even the sky, beautiful as it is, has the look of that one
sometimes sees in a very bright moonlight night--deeply, intensely blue,
with white fleecy clouds driven vigorously along by a strong breeze, now
veiling and now exposing the dazzling luminary around whom they sail. A
beautiful sky! and, in spite of its coldness, a beautiful world!"
But how naturally we meet the people of the village and become
interested in them. There is Harriet, the belle of the village, "a flirt
passive," who made the tarts and puddings in the author's kitchen; Joel
Brent, her lover, a carter by calling, but, by virtue of his personal
accomplishments, the village beau. There is the publican, the carpenter,
the washerwoman; little Lizzie, the spoilt child, and all the other boys
and girls of the village. It is very natural to-day to meet these poor
people in novels; at that time the poor people of Ireland and Scotland
had begun to creep into fiction, but it was as unusual in England as a
novel without a plot. Even to-day Miss Mitford's attitude toward these
people is not common. It seems never to have occurred to the author, and
certainly does not to her readers, that these men dressed in overalls
and these women in print dresses with sleeves rolled to the elbow were
not the finest ladies and gentlemen of the land. She greets them all
with a playful humour which reminds one of the genial smile of Elia. C.
H. Herford in _The Age of Wordsworth_ wrote of _Our Village_:
Public-domain text, read in full here on John Shaqi.
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